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The Warm Hands of Ghosts
During the Great War, a combat nurse searches for her brother, believed dead in the trenches despite eerie signs that suggest otherwise, in this hauntingly beautiful historical novel with a speculative twist from the New York Times bestselling author of The Bear and the Nightingale
January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else?
November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear.
As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.
January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else?
November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear.
As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.
325 pages, Hardcover
First published February 13, 2024
About the author
Katherine Arden
18 books16.1k followersA note to everyone who trips and falls upon my Goodreads page. First, welcome. Let us read and discuss all the books together. I review books I've read, everything gets five stars, if I didn't like it I don't put it up.
Second, Goodreads is wondrous, but contacting me through my Goodreads DMs is a good way to ensure a long wait for a reply. Your best bet is Twitter or Instagram (arden_katherine) on both.
Happy reading.
Born in Texas, Katherine studied French and Russian at Middlebury College. She has lived abroad in France and in Moscow, among other places. She has also lived in Hawaii, where she wrote much of The Bear and the Nightingale. She currently lives in Vermont.
Second, Goodreads is wondrous, but contacting me through my Goodreads DMs is a good way to ensure a long wait for a reply. Your best bet is Twitter or Instagram (arden_katherine) on both.
Happy reading.
Born in Texas, Katherine studied French and Russian at Middlebury College. She has lived abroad in France and in Moscow, among other places. She has also lived in Hawaii, where she wrote much of The Bear and the Nightingale. She currently lives in Vermont.
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November 28, 2023I have never posted any words about my own work to Goodreads before. And yet, of all my books, The Warm Hands of Ghosts was by far the most difficult. It took the longest to write, the most effort, the most tries, and the most failures. So I will indulge myself and set down a bit of my own experience, before I yield this space wholly to the words and opinions of others.
Ghosts is not the longest book. In fact, it is the shortest novel for adults that I have ever written. But it is conceptually and emotionally complex, and for draft after draft, month after month, even year after year, the book refused me. Refused to work, refused to exist. The subject matter had me intimidated. There are very few epochs where the course of history shifted so much as in 1914-1918, and there are very few moments in history so exhaustively documented as the First World War. Everyone who fought, it seemed, had banged out a memoir; there are histories, letters, maps, studies. Too much information is as great a danger to a writer of fiction as too little. When you are inundated with the journeys of others, it gets harder to find your own way into the material. It is more difficult to imagine, when you already know.
Finding space for myth in a story set in history is something I have done before. My first three books did exactly that. But this time, I had discovered a history that refused fantasy. My early drafts were silly, or they did not make sense. Perhaps I wanted too much, perhaps I had an idea unequal to my ability.
Bullheaded stubbornness is a trait celebrated in fiction; perhaps it is sometimes useful in real life, although I imagine that it has annoyed more people and caused more problems than it has ever solved. But I am stubborn, for better and worse, and so I did not give up. Perhaps too, as a friend once told me, your creative space is like a runway; a stalled project is like a jumbo jet. If you can’t get it to fly, other things will back up behind, blocked by the behemoth. I don’t know. Regardless, I came very close to dropping it. Ghosts was never a book that flew onto the page. I fought for every word. I went so far, once, as to announce, furiously, to my husband, agent, editor, and best friend, that I was done, that I’d failed, that the book could not be written. I stamped my feet and took out my feelings on the poor weeds in my garden. But people talked me off the ledge, and six months later, the book was written. At the end, around February 2023 when I did my final read, and realized with exhausted surprise, that the book did actually work, that it had become itself, a living thing, a novel, I put my favorite editing pen down like I was setting down a sword and then I cried like a child.
My characters, in their final form, each had their monsters to vanquish, or be vanquished by. Mine was this book. I didn’t so much write it as hunt it down, through darkness, and drag it, both of us bloody, into daylight, pinned for everyone’s eyes. But it’s done, and there is a strange joy in such a fight, and being able to say to you all: here is what I did, and why, and it is done and to me it is beautiful, and terrible, a haunted thing.
Ghosts is a book about love and loss, how the world ends, and how it goes on. It’s about the nature of evil and the shape of hell, and about war. I started it in 2019, and here it is coming out in 2024, when young men are fighting in trenches in Europe once again. Perhaps enjoy is the wrong word for the book I spent a long time calling the Fiend. But I hope it haunts you, as it has haunted me.
Ghosts is not the longest book. In fact, it is the shortest novel for adults that I have ever written. But it is conceptually and emotionally complex, and for draft after draft, month after month, even year after year, the book refused me. Refused to work, refused to exist. The subject matter had me intimidated. There are very few epochs where the course of history shifted so much as in 1914-1918, and there are very few moments in history so exhaustively documented as the First World War. Everyone who fought, it seemed, had banged out a memoir; there are histories, letters, maps, studies. Too much information is as great a danger to a writer of fiction as too little. When you are inundated with the journeys of others, it gets harder to find your own way into the material. It is more difficult to imagine, when you already know.
Finding space for myth in a story set in history is something I have done before. My first three books did exactly that. But this time, I had discovered a history that refused fantasy. My early drafts were silly, or they did not make sense. Perhaps I wanted too much, perhaps I had an idea unequal to my ability.
Bullheaded stubbornness is a trait celebrated in fiction; perhaps it is sometimes useful in real life, although I imagine that it has annoyed more people and caused more problems than it has ever solved. But I am stubborn, for better and worse, and so I did not give up. Perhaps too, as a friend once told me, your creative space is like a runway; a stalled project is like a jumbo jet. If you can’t get it to fly, other things will back up behind, blocked by the behemoth. I don’t know. Regardless, I came very close to dropping it. Ghosts was never a book that flew onto the page. I fought for every word. I went so far, once, as to announce, furiously, to my husband, agent, editor, and best friend, that I was done, that I’d failed, that the book could not be written. I stamped my feet and took out my feelings on the poor weeds in my garden. But people talked me off the ledge, and six months later, the book was written. At the end, around February 2023 when I did my final read, and realized with exhausted surprise, that the book did actually work, that it had become itself, a living thing, a novel, I put my favorite editing pen down like I was setting down a sword and then I cried like a child.
My characters, in their final form, each had their monsters to vanquish, or be vanquished by. Mine was this book. I didn’t so much write it as hunt it down, through darkness, and drag it, both of us bloody, into daylight, pinned for everyone’s eyes. But it’s done, and there is a strange joy in such a fight, and being able to say to you all: here is what I did, and why, and it is done and to me it is beautiful, and terrible, a haunted thing.
Ghosts is a book about love and loss, how the world ends, and how it goes on. It’s about the nature of evil and the shape of hell, and about war. I started it in 2019, and here it is coming out in 2024, when young men are fighting in trenches in Europe once again. Perhaps enjoy is the wrong word for the book I spent a long time calling the Fiend. But I hope it haunts you, as it has haunted me.
April 10, 2024
I am absolutely over the moon after receiving an advanced copy of this book! As a devoted fan of "The Bear and the Nightingale" trilogy, my excitement knows no bounds. I celebrated by dancing on the rooftops and proclaiming my love for this series to anyone who would listen.
My expectations for this book were astronomical, and rightfully so. Having been completely captivated by the author's previous works, I knew that she had the power to craft mind-blowing worlds and take readers on unforgettable journeys. Her ability to immerse readers in intricately detailed and breathtaking settings has always left me in awe.
This book, however, took my breath away in a different way. It is a shocking, dark, and profoundly heartbreaking tale. It is a tragic yet painfully realistic symphony that explores the devastating consequences of war, dragging people into a bleak world that lies somewhere between the realm of the living and the world of ghosts. As you read, you can almost feel the cold shiver of the lingering ghosts, their ethereal presence haunting your every step. You touch their spectral hands and are reminded that they are long gone, leaving nothing but echoes in their wake.
Katherine Arden masterfully transports us to the darkest and most harrowing corners of the battlefield. We find ourselves alongside soldiers trapped in cramped spaces, struggling to breathe as they are surrounded by the lifeless bodies of their comrades. Through her vivid prose, we navigate the darkness with them, making our way to the makeshift sanatoriums where wounded soldiers, plagued by gangrenous limbs and excruciating pain, cling to their last moments of life. The nurses who tend to them offer comfort and solace, writing heartfelt letters to their families in the midst of the chaos.
The narrative kicks off in January 1918, introducing us to Laura Iven, a former field nurse who returns home to Canada, to the city of Halifax, during the tumultuous times of the war. She witnesses the brutal death of her mother and loses her father in a devastating explosion. Laura finds herself seeking refuge in an eccentric household inhabited by three sisters who claim to communicate with spirits through seances. They make a living by taking money from gullible individuals seeking solace. Laura reluctantly participates in their seances, all while harboring doubts about the authenticity of their spiritual connections. During one of these seances, she receives a startling message from the spirits: her brother Freddie, presumed dead in the war, is alive. Alongside this mysterious revelation, she receives an enigmatic note promising to reunite her with her brother, but the message becomes indecipherable toward the end.
Determined to uncover the truth, Laura decides to enlist the help of Mary Burton, a close friend of Ms. Shaw, who can facilitate Laura's employment in a Belgian nursery. This job opportunity may lead her to the Forbidden Zone, where she hopes to investigate her brother's disappearance. Pim Shaw, another grieving mother haunted by the loss of her son, agrees to accompany Laura on this journey to find closure.
Their arduous journey introduces them to a peculiar hotel where they encounter a mysterious violinist who shares his wine and a magical mirror capable of revealing one's deepest desires. The question arises: could this enigmatic figure be the fiddler, the elusive and sinister character mentioned in the stories of soldiers who claim to have encountered him just before descending into madness?
The narrative also takes us back in time to November 1917, following Freddie Iven, Laura's brother, who finds himself trapped in an overturned pillbox with a German soldier named Hans Winter. As they struggle for survival in the pitch-black darkness, they manage to find a way out. Freddie chooses to take Winter as his prisoner but makes a solemn promise to protect him. Their bond deepens in the face of impending doom, transcending the boundaries of war.
As the story unfolds, the world around the siblings deteriorates into apocalyptic chaos. Desperation, starvation, violence, and deprivation become the grim reality. The characters face the looming threat of losing all hope, their memories slipping away as they become mere husks of their former selves, consumed by rage and madness.
This book is a masterpiece that not only blew my mind but also shattered my heart and shook me to my core. It stands as one of the most powerful, poignant, and achingly real war stories I have ever had the privilege of reading. The author's portrayal of individuals fighting for survival while losing pieces of their hope and sanity is hauntingly authentic.
In conclusion, this book not only met my already high expectations but exceeded them in every way. I proudly and wholeheartedly award it a blazing five stars, and without a doubt, I declare this reading experience as one of the absolute best books of 2024!
I extend my heartfelt gratitude to NetGalley and Random House Publishing Group/Ballantine/Del Rey for generously providing me with a digital reviewer copy in exchange for my honest thoughts. This literary journey will forever hold a special place in my heart.
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My expectations for this book were astronomical, and rightfully so. Having been completely captivated by the author's previous works, I knew that she had the power to craft mind-blowing worlds and take readers on unforgettable journeys. Her ability to immerse readers in intricately detailed and breathtaking settings has always left me in awe.
This book, however, took my breath away in a different way. It is a shocking, dark, and profoundly heartbreaking tale. It is a tragic yet painfully realistic symphony that explores the devastating consequences of war, dragging people into a bleak world that lies somewhere between the realm of the living and the world of ghosts. As you read, you can almost feel the cold shiver of the lingering ghosts, their ethereal presence haunting your every step. You touch their spectral hands and are reminded that they are long gone, leaving nothing but echoes in their wake.
Katherine Arden masterfully transports us to the darkest and most harrowing corners of the battlefield. We find ourselves alongside soldiers trapped in cramped spaces, struggling to breathe as they are surrounded by the lifeless bodies of their comrades. Through her vivid prose, we navigate the darkness with them, making our way to the makeshift sanatoriums where wounded soldiers, plagued by gangrenous limbs and excruciating pain, cling to their last moments of life. The nurses who tend to them offer comfort and solace, writing heartfelt letters to their families in the midst of the chaos.
The narrative kicks off in January 1918, introducing us to Laura Iven, a former field nurse who returns home to Canada, to the city of Halifax, during the tumultuous times of the war. She witnesses the brutal death of her mother and loses her father in a devastating explosion. Laura finds herself seeking refuge in an eccentric household inhabited by three sisters who claim to communicate with spirits through seances. They make a living by taking money from gullible individuals seeking solace. Laura reluctantly participates in their seances, all while harboring doubts about the authenticity of their spiritual connections. During one of these seances, she receives a startling message from the spirits: her brother Freddie, presumed dead in the war, is alive. Alongside this mysterious revelation, she receives an enigmatic note promising to reunite her with her brother, but the message becomes indecipherable toward the end.
Determined to uncover the truth, Laura decides to enlist the help of Mary Burton, a close friend of Ms. Shaw, who can facilitate Laura's employment in a Belgian nursery. This job opportunity may lead her to the Forbidden Zone, where she hopes to investigate her brother's disappearance. Pim Shaw, another grieving mother haunted by the loss of her son, agrees to accompany Laura on this journey to find closure.
Their arduous journey introduces them to a peculiar hotel where they encounter a mysterious violinist who shares his wine and a magical mirror capable of revealing one's deepest desires. The question arises: could this enigmatic figure be the fiddler, the elusive and sinister character mentioned in the stories of soldiers who claim to have encountered him just before descending into madness?
The narrative also takes us back in time to November 1917, following Freddie Iven, Laura's brother, who finds himself trapped in an overturned pillbox with a German soldier named Hans Winter. As they struggle for survival in the pitch-black darkness, they manage to find a way out. Freddie chooses to take Winter as his prisoner but makes a solemn promise to protect him. Their bond deepens in the face of impending doom, transcending the boundaries of war.
As the story unfolds, the world around the siblings deteriorates into apocalyptic chaos. Desperation, starvation, violence, and deprivation become the grim reality. The characters face the looming threat of losing all hope, their memories slipping away as they become mere husks of their former selves, consumed by rage and madness.
This book is a masterpiece that not only blew my mind but also shattered my heart and shook me to my core. It stands as one of the most powerful, poignant, and achingly real war stories I have ever had the privilege of reading. The author's portrayal of individuals fighting for survival while losing pieces of their hope and sanity is hauntingly authentic.
In conclusion, this book not only met my already high expectations but exceeded them in every way. I proudly and wholeheartedly award it a blazing five stars, and without a doubt, I declare this reading experience as one of the absolute best books of 2024!
I extend my heartfelt gratitude to NetGalley and Random House Publishing Group/Ballantine/Del Rey for generously providing me with a digital reviewer copy in exchange for my honest thoughts. This literary journey will forever hold a special place in my heart.
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April 24, 2024
ARC provided by Del Rey - thank you so much !!
♡ signed us copies
“Her conviction, born of long days and longer nights, was that if the world contained magic at all, then it could not also contain their war.”
the warm hands of ghosts is a story set during world war 1, following a combat nurse who has recently returned home after the hospital she was working at was bombed. now, back in halifax canada, another explosion has happened and all she has left is her brother, who is still in german occupied france fighting in the forbidden zone. but when a package reaches her with some of his items and a note saying he is missing, she knows she must get back to france and see if she can find out any information about the only person she has left in this world. And a beautiful story, within two stories, is crafted about love, faith, and sacrifice as we switch perspective of these two siblings encountering a force this world has always known. (and the speculative element involving a magical inn that is described as a “faerie revels that end at sunrise”? yeah, 11/10 for me and my reading wheelhouse.)
i know a lot of you were really curious about my thoughts on this book, because the winternight trilogy is one of my favorite stories, and it really does mean a great deal to me. comparing that to this book feels so impossible, because the stories are so vastly differently, but i still really enjoyed this book and was completely swept away by katherine arden’s prose and storycrafting and heart.
i am just not the biggest historical reader, and i am also not the biggest fan of reading war stories, but i knew if anyone could make me enjoy a story with a backdrop like this, it would be katherine arden. but i did find myself very much enjoying laura’s pov of traveling and healing and discovering what was going on way more than freddies trapped within this war pov (which seems to be a very not popular opinion according to early reviews)! but even despite this book being very catered not to my tastes, there is just something so magical about katherine’s writing, and ability to tell a story. and the way she handled the different evils in this book was really perfect in my opinion. plus, you all know i love a good big sister and little brother story always!
i really don’t want to give away too much of the plot, because it really is cool to discover everything right alongside laura and freddie, but my favorite part of this book is actually the title. just this idea sparking that our own hands can become unusable because of the brutal acts of men (and how women are trying to heal from many of those acts against all odds), and how we can be having our hands guided by ghosts (some ghosts, some angels, some… a little bit of dark entities) was just really thought provoking and so very profound to me. very very galaxy brain. also the theme of how it is easier to blame one person, one thing, rather than a completely broken system that needs to be dismantled and rebuilt. i know this is a world war 1 story, but it feels extra heartbreaking how much of this felt so very relevant in 2024. maybe we need our hands guided a lot more by ghosts and not leaders who still don’t want to view human lives equally 100 years later.
“It was so much easier to hate a man than a system: vast, inhuman, bloodstained.”
this book also puts a very heavy emphasis on hope and how important it is to have a north star to keep that hope alive, keep you having faith, making it easier for you to believe in something and maybe, in turn, believe in yourself. This book really showcases that in a lot of ways - through anger, though sacrifice, though a never waning belief of hope back in that very same person. And also shows the beauty of realizing that you are able to hope in something new, which can also be a safe harbor when the world feels unnavigable by yourself.
also this book has a very big central theme of pairings within the characters. This old and new world that so many of these characters fall into and you can see them having a harder or easier time depending on what way they fall. i feel we (americans) are taught around 8th grade the literary juxtaposition of the 20s and of old and new with gatsby (and at such an annoying length), but this really made me think that maybe this was a heightened view that people were really discussing and feeling during and after the great war (pre jazz era/roaring twenties… listen, i am an sff reader and reviewer not a historical one hahaha but this really was thought provoking for me). but i just really love the element of pairings and how everyone kind of has a co-something counterpart within this story as well. i enjoy it as a reader and also as a type a virgo.
okay i think i am finally able to let you in on the secret reading of this book (i can’t even believe i am about to type this!) I was able to have the opportunity to buddy read this with katherine arden (and a bunch of amazing booksellers and book content creators!) and the amount of research and respect and heart that she put into this novel is so very felt, but i really was lucky enough to experience that so much deeper. i was speechless at how much she knew and how much she dug deeper to learn so many personal stories of families during this time. it allowed me to have an even deeper level of empathy and just taught me so much in regard to understanding what life was really like during this time period all around the world.
i also want to let you know because this was such a magical experience for me, there could potentially be some bias going on, or simply that i just read this book with a different lens compared to if i read it all by myself. You know, it feels a little fated to even write this because the reason i picked up the bear and the nightingale in 2017 was because it was gifted to me by the goodreads staff, which they all wrote sweet things in, and it is forever one of my favorite books in my collection. so maybe i am just destined to have really unique reading experiences with katherin arden.
overall, this was a really heartfelt story and an entire experience that meant a lot to me. it was a true honor reading this, and laura is a character who will stay in my heart forever. i absolutely am already begging for whatever katherine arden does next and this book really helped solidify her as a favorite author of all time.
trigger + content warnings: the whole setting being world war 1, a constant talk and imagery of war, halifax harbor explosion, battle of passchendaele mentions, mentions of chemical gassing warfare, prisoner of war, death, murder, gun violence, so many hospital settings, violence, gore, blood, blood transfusions, needles, surgery, talk of medical conditions and illness constantly, missing loved one, a lot of talk of loss of loved ones (including parents, children, partners, friends), captivity, claustrophobic scenes, extreme ptsd, extreme nightmares, smoking and drinking, crowd crush scene, talk of suicide, suicide ideation.
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1.) The Bear and the Nightingale ★★★★★
2.) The Girl in the Tower ★★★★★
3.) The Winter of the Witch ★★★★★
1.) Small Spaces ★★★★★
2.) Dead Voices ★★★★
October 3, 2023
This story was a perfect example of "could have been and wasn't."
The first thing that will surprise readers is that the style is not the trademark Katherine Arden of Winternight. It's a different style, syncopated and with sentences as if chopped up by hatchet, which can be fatiguing and impedes the smooth flow of the narrative. Characters speak as if midway through they lost the thread of their thoughts or are suddenly gagged by an invisible hand, giving rise to dialogue that is often half-hearted or ends abruptly, leaving the reader to guess what is being talked about.
The second thing to note is that, although the protagonist is a woman as they usually are in books by this author, and a strong, determined, and strong-willed woman at that, she is not an engaging or sympathetic character. On the contrary, Laura is tremendously bland and difficult to empathise with. Which is very strange, because she has, in theory, all the ingredients to be an engaging character. She has, in theory, the same ingredients as Vasilisa Petrovna in Winternight, and yet she is neither interesting nor likeable like her. Moreover, she is so annoyingly bland and her initial chapters are so slow and uneventful that it makes one despair of finishing them to move on to her brother's chapters, which is where the interesting parts and facts and action are, as well as the interesting characters.
His brother, Wilfred Iven, seems to be an homage to Wilfred Owen, the British poet who perished in World War I. The boy is supposed to have fallen in combat, as Laura is given to understand, but in reality he has been buried in a pillbox during the Passchendaele offensive of 1917, and groping in the dark he finds out that he is not alone: a wounded German soldier is with him. A strong bond forms between Freddie and Hans, born out of the need to survive in No Man's Land, a bond that will develop into something more. Both men have a lot to lose regardless of who finds them first once they break out of the pillbox, either could end up before the firing squad for espionage or desertion, depending on which side they stumble on first.
And who they stumble upon first is a quirky violinist that owns a hotel that appears and disappears at will in the Forbidden Zone near the front. Who he is, no one will ever say explicitly in this book, but it's not hard to guess right off the bat. Some will say he is intriguing and the most interesting character, but those who have read Bulgakov, like me, probably won't see it that way. Although at first it seems like it's going to cause a lot of twisty-turny plotting, in the end Faland ends up being a faded photocopy of Woland, minus the cat, an unfunny clone of Woland who seduces Freddie in exchange for paying with stories for what he wants. (Seriously, you could have called him Woland and it would have been less obvious than calling him Faland, how predictable!).
I'm going to be frank: the plot is an absolute mess. Arden could have created a terrific plot with just Freddie, Hans, and Faland, getting rid of Laura and her coterie of vapid women and inconsequential men, and the story would have been a thousand times better. In her notes, Arden says that she was inspired by the fact that many survivors of World War I talk about those times in apocalyptic terms, as if the world is ending, which is why she framed the plot in apocalyptic terms too, naming chapters with direct quotes from the biblical Book of Revelation (a.k.a. Apocalypse), and that she wanted to answer the question of what the Devil would do in a world worse than Hell. Judging from the results, the answer she found is: the Devil is in the business of stealing souls. In other words, the same as always, with methods perhaps more modern, but he's up to the same tricks as always.
And that is not a good answer for me. What Arden doesn’t say is that the belief that the world ended in 1914 is not a "Christian" belief as is presented here but a belief of the sect now known as Jehovah's Witnesses, who went by another name at that time and who preached that the end of the world began in 1914 with the expulsion of Satan from heaven (à la John Milton), and that the war and pestilence and suffering experienced in 1914-1918 were fulfillment of the prophecies in Revelation, and furthermore they believed that the generation of 1914 would not die out before the world was over and a new world would appear. Now they have changed their belief, they always do, but that belief is fringe and has never been official doctrine in mainstream Christianity. If Arden wanted to use this belief, it would have been better to focus on Freddie remembering and mentally processing those beliefs from his mother (in one passage, they mention the “Watchtower” magazine, which the Jehovah's Witnesses publish, so it goes without saying that the Ivens' mother is from that sect) whilst on the frontlines experiencing all the horror his cultish mother believed the endtimes to be, and Faland being a shell-shock hallucination instead of a real person.
Yes, it would definitely have been much, much better if the story did not include Laura and her coterie, showing instead Hell through Freddie and Hans suffering the brutality and senseless slaughter of Passchendaele, depending exclusively on themselves and each other to survive this Hell, depending on Hans’s wits and Freddie’s ingenuity to best Faland at his own game, without the need of a boring sister to rescue him. It would have been better if Faland and the ghosts were a product of Freddie's mind giving in to war psychosis, a product of stress, shock, wounds, malnutrition, and thirst. It would thus be much better and more realistic for Freddie to end up as a husk of himself at the end, to blame the war precisely for his mental state instead of resorting to a facile explanation of "the Devil took pieces of my soul." It would have been better for Laura not to go to the front and so conveniently find the needle in the haystack and best Faland because he makes things easy for her. If she had to stay in the story, it would have been much more work but realistic for her to struggle to find her brother on the hugely spread-out Western Front amongst millions of soldiers and medical personnel.
But it wasn’t to be. We got boring Laura saving the day by having things served on a platter to her by everyone. The Parkeys give her clues about her brother first and then a house and money for her dream life, Pim and Mary make it possible for her to return to the front contra regulations, Faland makes it easy for her to rescue her brother and Hans as a collateral, Jones makes it easy for her to get them all out of Europe with forged papers. All is so easy, so neat, so clean and bloodless after all that horror. And Freddie never has to face the shell-shock and the realities of what he has had to do for Hans, not process the reality of his sexuality and his feelings for an enemy. They all just accept that Faland exists, that the Devil is a real person, and not think about it ever again or muse over the implications for their faith (or lack thereof) of actually having proof that the Devil exists and is here on Earth (what does that make of God, for example?), thus adding lacking theology to messy plot and heightening the deep disappointment I feel in this new installment by the same author that gave me one of my all-time favourie trilogies.
I received an ARC through NetGalley in exchange for an honest review.
The first thing that will surprise readers is that the style is not the trademark Katherine Arden of Winternight. It's a different style, syncopated and with sentences as if chopped up by hatchet, which can be fatiguing and impedes the smooth flow of the narrative. Characters speak as if midway through they lost the thread of their thoughts or are suddenly gagged by an invisible hand, giving rise to dialogue that is often half-hearted or ends abruptly, leaving the reader to guess what is being talked about.
The second thing to note is that, although the protagonist is a woman as they usually are in books by this author, and a strong, determined, and strong-willed woman at that, she is not an engaging or sympathetic character. On the contrary, Laura is tremendously bland and difficult to empathise with. Which is very strange, because she has, in theory, all the ingredients to be an engaging character. She has, in theory, the same ingredients as Vasilisa Petrovna in Winternight, and yet she is neither interesting nor likeable like her. Moreover, she is so annoyingly bland and her initial chapters are so slow and uneventful that it makes one despair of finishing them to move on to her brother's chapters, which is where the interesting parts and facts and action are, as well as the interesting characters.
His brother, Wilfred Iven, seems to be an homage to Wilfred Owen, the British poet who perished in World War I. The boy is supposed to have fallen in combat, as Laura is given to understand, but in reality he has been buried in a pillbox during the Passchendaele offensive of 1917, and groping in the dark he finds out that he is not alone: a wounded German soldier is with him. A strong bond forms between Freddie and Hans, born out of the need to survive in No Man's Land, a bond that will develop into something more. Both men have a lot to lose regardless of who finds them first once they break out of the pillbox, either could end up before the firing squad for espionage or desertion, depending on which side they stumble on first.
And who they stumble upon first is a quirky violinist that owns a hotel that appears and disappears at will in the Forbidden Zone near the front. Who he is, no one will ever say explicitly in this book, but it's not hard to guess right off the bat. Some will say he is intriguing and the most interesting character, but those who have read Bulgakov, like me, probably won't see it that way. Although at first it seems like it's going to cause a lot of twisty-turny plotting, in the end Faland ends up being a faded photocopy of Woland, minus the cat, an unfunny clone of Woland who seduces Freddie in exchange for paying with stories for what he wants. (Seriously, you could have called him Woland and it would have been less obvious than calling him Faland, how predictable!).
I'm going to be frank: the plot is an absolute mess. Arden could have created a terrific plot with just Freddie, Hans, and Faland, getting rid of Laura and her coterie of vapid women and inconsequential men, and the story would have been a thousand times better. In her notes, Arden says that she was inspired by the fact that many survivors of World War I talk about those times in apocalyptic terms, as if the world is ending, which is why she framed the plot in apocalyptic terms too, naming chapters with direct quotes from the biblical Book of Revelation (a.k.a. Apocalypse), and that she wanted to answer the question of what the Devil would do in a world worse than Hell. Judging from the results, the answer she found is: the Devil is in the business of stealing souls. In other words, the same as always, with methods perhaps more modern, but he's up to the same tricks as always.
And that is not a good answer for me. What Arden doesn’t say is that the belief that the world ended in 1914 is not a "Christian" belief as is presented here but a belief of the sect now known as Jehovah's Witnesses, who went by another name at that time and who preached that the end of the world began in 1914 with the expulsion of Satan from heaven (à la John Milton), and that the war and pestilence and suffering experienced in 1914-1918 were fulfillment of the prophecies in Revelation, and furthermore they believed that the generation of 1914 would not die out before the world was over and a new world would appear. Now they have changed their belief, they always do, but that belief is fringe and has never been official doctrine in mainstream Christianity. If Arden wanted to use this belief, it would have been better to focus on Freddie remembering and mentally processing those beliefs from his mother (in one passage, they mention the “Watchtower” magazine, which the Jehovah's Witnesses publish, so it goes without saying that the Ivens' mother is from that sect) whilst on the frontlines experiencing all the horror his cultish mother believed the endtimes to be, and Faland being a shell-shock hallucination instead of a real person.
Yes, it would definitely have been much, much better if the story did not include Laura and her coterie, showing instead Hell through Freddie and Hans suffering the brutality and senseless slaughter of Passchendaele, depending exclusively on themselves and each other to survive this Hell, depending on Hans’s wits and Freddie’s ingenuity to best Faland at his own game, without the need of a boring sister to rescue him. It would have been better if Faland and the ghosts were a product of Freddie's mind giving in to war psychosis, a product of stress, shock, wounds, malnutrition, and thirst. It would thus be much better and more realistic for Freddie to end up as a husk of himself at the end, to blame the war precisely for his mental state instead of resorting to a facile explanation of "the Devil took pieces of my soul." It would have been better for Laura not to go to the front and so conveniently find the needle in the haystack and best Faland because he makes things easy for her. If she had to stay in the story, it would have been much more work but realistic for her to struggle to find her brother on the hugely spread-out Western Front amongst millions of soldiers and medical personnel.
But it wasn’t to be. We got boring Laura saving the day by having things served on a platter to her by everyone. The Parkeys give her clues about her brother first and then a house and money for her dream life, Pim and Mary make it possible for her to return to the front contra regulations, Faland makes it easy for her to rescue her brother and Hans as a collateral, Jones makes it easy for her to get them all out of Europe with forged papers. All is so easy, so neat, so clean and bloodless after all that horror. And Freddie never has to face the shell-shock and the realities of what he has had to do for Hans, not process the reality of his sexuality and his feelings for an enemy. They all just accept that Faland exists, that the Devil is a real person, and not think about it ever again or muse over the implications for their faith (or lack thereof) of actually having proof that the Devil exists and is here on Earth (what does that make of God, for example?), thus adding lacking theology to messy plot and heightening the deep disappointment I feel in this new installment by the same author that gave me one of my all-time favourie trilogies.
I received an ARC through NetGalley in exchange for an honest review.
February 13, 2024
4.45!
“We were born together, we died together. I cannot live without you.”
Happy release day to this gem of a book!!
I had so much fun with this book because honestly it had History, Magic, Realism and Resilience. It had me in awe because the way it just effortlessly intertwines historical events with elements of fantasy with a spellbinding and immersive narrative. Katherine Arden just blew me away with this one, I had already heard the best things about her Bear and the Nightingale trilogy so you can understand why I already had pretty high expectations, despite its different setting and its safe to say that I was satisfied with how it went because she so easily crafted a tale of the enduring bonds of family, love, friendship and loss + the way it took into account the power of love, courage, and hope in the face of adversity. This book also showed the range of Arden's writing style.
Katherine Arden enhanced the gritty realism of war and its consequences whilst also dusting this book with light magical elements to keep a balance and to keep us more intrigued. I would also say that her worldbuilding in this one was also top notch because there was this sense of mystery and wonder which complemented the historical setting so much and it was also another reason why I was so hooked with it.
The warm hands of ghost follow two point of views one of Laura Iven a combat nurse, who after news of her brothers disappearance from the front lines takes it upon herself to go back and find answers and the other of Freddie Iven who finds solace in the must unlikely place, a dark pillbox with no way out and trapped with his enemy, a German soldier Hans winter. Laura's POV was set in the year 1918 whereas Freddie's was in 1917-18. Now what I enjoyed the most about these character was the determination and the ambition that they had and on top of all that, the relationship between the two siblings and the complexities of their bond and how their lives are irrevocably altered by the events of a gruesome war.
I personally enjoyed Freddie's point of views more because they were just more engaging for me and had me hooked because of the setting and the sense of dread and mystery, with how its all going to go down. For his part, I loved how she turned the animosity between Freddie and Winter into a friendly bond which developed into something so deep, vast and strong that completely had me rooting for them. There was not much romance in this one besides the tension between Freddie and Winter + Laura and Jones, nothing happens until the very last chapters.
As for the plot, I can no say anything other than the things that i have mentioned above as they would be a spoiler and I would like you all to have the same experience that I had.
Also, keep in mind that it tackles dark themes in the book, from the suffocating dread of claustrophobia to the devastating impact of grief and PTSD, Through Laura and Freddie's journeys, this book shed's light on the psychological scars left by war, drawing a haunting portrait of the human cost of conflict.
Overall, I enjoyed it a lot and savored every minute of it and would most definitely recommend!
*Thank you for NetGalley and Random House Publishing- Ballantine for giving me an E-arc in exchange for an honest review*
__
I have been meaning to read The bear and the nightingale by Katherine because I had heard nothing but amazing things by readers but my bookstores didnt have the copies when i went there so I was scrolling through Netgalley the other day and I saw this arc....so I hesitantly requested with no hopes of getting it but two days ago I woke up to this being on Netgalley shelf and I have never been more excited to read something!
“We were born together, we died together. I cannot live without you.”
Happy release day to this gem of a book!!
I had so much fun with this book because honestly it had History, Magic, Realism and Resilience. It had me in awe because the way it just effortlessly intertwines historical events with elements of fantasy with a spellbinding and immersive narrative. Katherine Arden just blew me away with this one, I had already heard the best things about her Bear and the Nightingale trilogy so you can understand why I already had pretty high expectations, despite its different setting and its safe to say that I was satisfied with how it went because she so easily crafted a tale of the enduring bonds of family, love, friendship and loss + the way it took into account the power of love, courage, and hope in the face of adversity. This book also showed the range of Arden's writing style.
Katherine Arden enhanced the gritty realism of war and its consequences whilst also dusting this book with light magical elements to keep a balance and to keep us more intrigued. I would also say that her worldbuilding in this one was also top notch because there was this sense of mystery and wonder which complemented the historical setting so much and it was also another reason why I was so hooked with it.
The warm hands of ghost follow two point of views one of Laura Iven a combat nurse, who after news of her brothers disappearance from the front lines takes it upon herself to go back and find answers and the other of Freddie Iven who finds solace in the must unlikely place, a dark pillbox with no way out and trapped with his enemy, a German soldier Hans winter. Laura's POV was set in the year 1918 whereas Freddie's was in 1917-18. Now what I enjoyed the most about these character was the determination and the ambition that they had and on top of all that, the relationship between the two siblings and the complexities of their bond and how their lives are irrevocably altered by the events of a gruesome war.
I personally enjoyed Freddie's point of views more because they were just more engaging for me and had me hooked because of the setting and the sense of dread and mystery, with how its all going to go down. For his part, I loved how she turned the animosity between Freddie and Winter into a friendly bond which developed into something so deep, vast and strong that completely had me rooting for them. There was not much romance in this one besides the tension between Freddie and Winter + Laura and Jones, nothing happens until the very last chapters.
As for the plot, I can no say anything other than the things that i have mentioned above as they would be a spoiler and I would like you all to have the same experience that I had.
Also, keep in mind that it tackles dark themes in the book, from the suffocating dread of claustrophobia to the devastating impact of grief and PTSD, Through Laura and Freddie's journeys, this book shed's light on the psychological scars left by war, drawing a haunting portrait of the human cost of conflict.
Overall, I enjoyed it a lot and savored every minute of it and would most definitely recommend!
*Thank you for NetGalley and Random House Publishing- Ballantine for giving me an E-arc in exchange for an honest review*
__
I have been meaning to read The bear and the nightingale by Katherine because I had heard nothing but amazing things by readers but my bookstores didnt have the copies when i went there so I was scrolling through Netgalley the other day and I saw this arc....so I hesitantly requested with no hopes of getting it but two days ago I woke up to this being on Netgalley shelf and I have never been more excited to read something!
May 4, 2024
The Warm Hands of Ghosts by Katherine Arden is a WWI Historical Fiction Story with Paranormal Aspects!
Laura Iven, a field nurse during WWI, was wounded, discharged, and sent home to Halifax, Canada. She is stunned when news arrives that her brother Freddie, a soldier in the Canadian Army, is missing and presumed dead. As she touches his bloody jacket and ID tags, she can't believe what she sees and reads to be true.
Despite struggling with a painful leg injury, Laura decides to return to Flanders, Belgium as a volunteer at a private hospital. She's determined to discover the truth of what happened to Freddie, in the hopes that he's still alive...
The Warm Hands of Ghosts is told through alternating timelines of the main character Laura Iven, and her brother, Wilfred (Freddie) Iven. This is my first read by Katherine Arden and there is something to be said about an author whose writing and storytelling can transport you to where the story is taking place. In this case, it's 1917-1918 in Flanders, Belgium* during The Great War and I felt like I was there.
This is a hefty tale to take on, with topics of severe injury, death, and the darkness of war. Blending the horrors of war with aspects of Paranormal gives this story a diversion and unexpected mystery. This is the type of creativity I love.
I thought the author did a remarkable job of making this story feel like it passes through one era into the next, sprinkling newness with the existing familiar, and you can recognize it in the character of Laura most profoundly. This might be the closest experience to Steampunk I've ever read without realizing it. Were there implied touches of Science Fiction in the mix, too?
The Warm Hands of Ghosts is a story with diverse characterizations and an original premise that I loved reading and I recommend it to readers who, like me, enjoy a blend of Historical and Fantasy Fiction. I believe I will be visiting this author's backlist very soon!
4.25⭐
*Flanders Fields in Belgium was a major battle theater on the Western Front during the First World War where a million soldiers from more than 50 countries were wounded, missing, or killed in action. Is it any wonder why there are stories of ghosts wandering this land?
Thank you to NetGalley, Random House Publishing Group-Ballantine, Del Rey, and Katherine Arden for a DRC of this book. It has been an honor to give my honest and voluntary review.
Laura Iven, a field nurse during WWI, was wounded, discharged, and sent home to Halifax, Canada. She is stunned when news arrives that her brother Freddie, a soldier in the Canadian Army, is missing and presumed dead. As she touches his bloody jacket and ID tags, she can't believe what she sees and reads to be true.
Despite struggling with a painful leg injury, Laura decides to return to Flanders, Belgium as a volunteer at a private hospital. She's determined to discover the truth of what happened to Freddie, in the hopes that he's still alive...
The Warm Hands of Ghosts is told through alternating timelines of the main character Laura Iven, and her brother, Wilfred (Freddie) Iven. This is my first read by Katherine Arden and there is something to be said about an author whose writing and storytelling can transport you to where the story is taking place. In this case, it's 1917-1918 in Flanders, Belgium* during The Great War and I felt like I was there.
This is a hefty tale to take on, with topics of severe injury, death, and the darkness of war. Blending the horrors of war with aspects of Paranormal gives this story a diversion and unexpected mystery. This is the type of creativity I love.
I thought the author did a remarkable job of making this story feel like it passes through one era into the next, sprinkling newness with the existing familiar, and you can recognize it in the character of Laura most profoundly. This might be the closest experience to Steampunk I've ever read without realizing it. Were there implied touches of Science Fiction in the mix, too?
The Warm Hands of Ghosts is a story with diverse characterizations and an original premise that I loved reading and I recommend it to readers who, like me, enjoy a blend of Historical and Fantasy Fiction. I believe I will be visiting this author's backlist very soon!
4.25⭐
*Flanders Fields in Belgium was a major battle theater on the Western Front during the First World War where a million soldiers from more than 50 countries were wounded, missing, or killed in action. Is it any wonder why there are stories of ghosts wandering this land?
Thank you to NetGalley, Random House Publishing Group-Ballantine, Del Rey, and Katherine Arden for a DRC of this book. It has been an honor to give my honest and voluntary review.
February 13, 2024
This book was released today and was my favorite book of 2023. Please do yourself a favor and go pick up a copy. You will not regret it! And honestly I am so disappointed this was not a BOTM pick.
I literally cannot stop thinking about this book. It has lived rent free in my head for the past 24 hours since I finished it.
Absolute perfection and on my top 5 books of the year. If you loved Addie LaRue, I think you should pick this up also.
The plot was incredible. I could not put this book down while reading it because I just had to know how everything tied together. I truly believe Arden is a master storyteller and clearly does tons of historical research for her books. There's romance, magic, and mystery all in one, so something to gain for everyone.
Arden really knows how to make you feel things in the book. She can make you feel cold, tired, lonely, depressed, hopeless, etc. Her writing makes you feel like you are in the story. There were several times while reading this that I suddenly realized I was not in the story physically. Her writing is so poignant, lyrical and captivating and I just want more books from her immediately.
I seriously loved all the characters, as well. They speak the way they would in this time period. The humor is that of the 1910's, some of it even going over my head. Each personality and voice was distinct. Arden really knows how to flesh out a character and make them feel real. Lastly Winter and Freddie are absolute perfection and the best part of this story.
Do yourself a favor and preorder and/or pick this one up when it comes out. You won't regret it.
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Wishes do come true because I got sent an ARC of this via Netgalley. Crying crying crying crying crying
I literally cannot stop thinking about this book. It has lived rent free in my head for the past 24 hours since I finished it.
Absolute perfection and on my top 5 books of the year. If you loved Addie LaRue, I think you should pick this up also.
The plot was incredible. I could not put this book down while reading it because I just had to know how everything tied together. I truly believe Arden is a master storyteller and clearly does tons of historical research for her books. There's romance, magic, and mystery all in one, so something to gain for everyone.
Arden really knows how to make you feel things in the book. She can make you feel cold, tired, lonely, depressed, hopeless, etc. Her writing makes you feel like you are in the story. There were several times while reading this that I suddenly realized I was not in the story physically. Her writing is so poignant, lyrical and captivating and I just want more books from her immediately.
I seriously loved all the characters, as well. They speak the way they would in this time period. The humor is that of the 1910's, some of it even going over my head. Each personality and voice was distinct. Arden really knows how to flesh out a character and make them feel real. Lastly Winter and Freddie are absolute perfection and the best part of this story.
Do yourself a favor and preorder and/or pick this one up when it comes out. You won't regret it.
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Wishes do come true because I got sent an ARC of this via Netgalley. Crying crying crying crying crying
March 24, 2024
i’m at a loss for words because this is everything i expected and somehow everything i did not. katherine has poured so much of her heart into this novel and that’s no clearer than in her unflinching depiction of war torn europe and it’s survivors, to the unbridled determination of a sister willing to reach into the dark places in order to get her brother back.
absolutely haunting.
thank you to katherine for sending me a copy. i’ll be posting a full length review at a later date
also first time appearing in a books acknowledgments🥺
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absolutely haunting.
thank you to katherine for sending me a copy. i’ll be posting a full length review at a later date
also first time appearing in a books acknowledgments🥺
Follow me on Instagram
March 26, 2024
2.7 stars
One Liner: Umm… tries too hard
Jan 1918: Laura Iven is an efficient field nurse even after an explosion left her wounded. Back home in Halifax, Canada, she continues to volunteer at a local hospital. However, the news of her brother’s death in war results in too many questions and not enough answers. Laura decides to travel to Belgium as a volunteer at a hospital to find out the truth.
Nov 1917: Freddie Iven thinks he is dead until he realizes he is alive, but the clock is ticking fast. He and a German soldier (the enemy), Hans Winter, have survived. However, life is uncertain and dangerous with the war around them. What happens when the new acquaintances have to decide their next step?
With the brother and sister haunted by the ghosts of the past and present, can they find a way to save others and themselves?
The story comes in the third-person POV of Laura and Freddie (Wilfred) in alternate timelines (1918 and 1917).
My Thoughts:
After many recommendations for the author’s famous trilogy, I was delighted to see a standalone work by her. It’s easier to read a single book than three (that too big ones). Alas, the result is disappointing.
The bare bones are intriguing- World War 1, PTSD, soldiers, nurses, healing, hope, and a touch of paranormal. What’s not to like? But why is the book like this?
Laura should have been a terrific character. She is an efficient nurse, someone capable, assertive, decisive, and determined. The character is exactly the kind I like to read. Yet, there wasn’t a single instance I could empathize with her.
Freddie gets more of my support. He also has some intense emotions to display. His vulnerability has the pull to connect with the readers. Winter is decent, too, in a grumpy, wounded hero kind of way (he is not a hero here).
The desolate and bleak side of war comes across very well and is the highlight of the book. Can’t say it’s something new, but still, the desired impact is achieved.
Now, I love paranormal touches in books. But this one almost went over my head. I’m not a Christian, nor do I know much about the theories like ‘end of the world’ or the Book of Revelation. I could guess who the fiddler was, but there’s nothing new/ unique about the concept. (Moreover, my go-to expert on the topic has yet to read the book, so I couldn’t ask and spoil it for her. )
There’s some love inserted in the last section. Not sure whose idea it was, but the book would have been better without it. Or, the concept could have been explored in detail. Healing is different from trauma bonding. And can we please respect platonic friendships for what they are without forcefully turning them into romantic tracks? Also, given the period, the lack of self-exploration on certain aspects is unrealistic.
The ending is hopeful. But then, everything so easily falls into place! In fact, the same happens almost throughout for Laura. She puts in 1x effort, and others clear the path for the rest.
The author’s note helped me understand a few things. It reminded me of when I spent extra time and care on a project in college because the topic was a favorite. However, the final result was an average piece and not something I could call my best in any manner. I gave it a lot more than what was necessary.
To summarize, The Warm Hands of Ghosts has its moments but fails to impress as a package. The slow pacing doesn't help either. Maybe readers with more knowledge about religious concepts will understand and like it better.
Thank you, NetGalley and Random House Publishing (Del Ray), for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #TheWarmHandsOfGhosts
***
P.S.:I skimmed a few reviews after drafting mine. Apparently, the chapter titles are biblical quotes. ETA: Check out Marquise's review for more details: https://www.goodreads.com/review/show...
One Liner: Umm… tries too hard
Jan 1918: Laura Iven is an efficient field nurse even after an explosion left her wounded. Back home in Halifax, Canada, she continues to volunteer at a local hospital. However, the news of her brother’s death in war results in too many questions and not enough answers. Laura decides to travel to Belgium as a volunteer at a hospital to find out the truth.
Nov 1917: Freddie Iven thinks he is dead until he realizes he is alive, but the clock is ticking fast. He and a German soldier (the enemy), Hans Winter, have survived. However, life is uncertain and dangerous with the war around them. What happens when the new acquaintances have to decide their next step?
With the brother and sister haunted by the ghosts of the past and present, can they find a way to save others and themselves?
The story comes in the third-person POV of Laura and Freddie (Wilfred) in alternate timelines (1918 and 1917).
My Thoughts:
After many recommendations for the author’s famous trilogy, I was delighted to see a standalone work by her. It’s easier to read a single book than three (that too big ones). Alas, the result is disappointing.
The bare bones are intriguing- World War 1, PTSD, soldiers, nurses, healing, hope, and a touch of paranormal. What’s not to like? But why is the book like this?
Laura should have been a terrific character. She is an efficient nurse, someone capable, assertive, decisive, and determined. The character is exactly the kind I like to read. Yet, there wasn’t a single instance I could empathize with her.
Freddie gets more of my support. He also has some intense emotions to display. His vulnerability has the pull to connect with the readers. Winter is decent, too, in a grumpy, wounded hero kind of way (he is not a hero here).
The desolate and bleak side of war comes across very well and is the highlight of the book. Can’t say it’s something new, but still, the desired impact is achieved.
Now, I love paranormal touches in books. But this one almost went over my head. I’m not a Christian, nor do I know much about the theories like ‘end of the world’ or the Book of Revelation. I could guess who the fiddler was, but there’s nothing new/ unique about the concept. (Moreover, my go-to expert on the topic has yet to read the book, so I couldn’t ask and spoil it for her. )
There’s some love inserted in the last section. Not sure whose idea it was, but the book would have been better without it. Or, the concept could have been explored in detail. Healing is different from trauma bonding. And can we please respect platonic friendships for what they are without forcefully turning them into romantic tracks? Also, given the period, the lack of self-exploration on certain aspects is unrealistic.
The ending is hopeful. But then, everything so easily falls into place! In fact, the same happens almost throughout for Laura. She puts in 1x effort, and others clear the path for the rest.
The author’s note helped me understand a few things. It reminded me of when I spent extra time and care on a project in college because the topic was a favorite. However, the final result was an average piece and not something I could call my best in any manner. I gave it a lot more than what was necessary.
To summarize, The Warm Hands of Ghosts has its moments but fails to impress as a package. The slow pacing doesn't help either. Maybe readers with more knowledge about religious concepts will understand and like it better.
Thank you, NetGalley and Random House Publishing (Del Ray), for the eARC. This review is voluntary and contains my honest opinion about the book.
#NetGalley #TheWarmHandsOfGhosts
***
P.S.:
March 7, 2024
“𝕬𝖓𝖉 𝖞𝖔𝖚 𝖜𝖎𝖑𝖑 𝖙𝖊𝖑𝖑 𝖒𝖊 𝖊𝖛𝖊𝖗𝖞𝖙𝖍𝖎𝖓𝖌. 𝕰𝖛𝖊𝖗𝖞 𝖓𝖎𝖌𝖍𝖙. 𝖂𝖍𝖆𝖙 𝖞𝖔𝖚 𝖑𝖔𝖛𝖊. 𝖂𝖍𝖆𝖙 𝖞𝖔𝖚 𝖍𝖆𝖙𝖊. 𝕬𝖓𝖉 𝖜𝖍𝖞 𝖞𝖔𝖚’𝖗𝖊 𝖆𝖋𝖗𝖆𝖎𝖉. 𝖀𝖓𝖙𝖎𝖑 𝖞𝖔𝖚 𝖗𝖊𝖒𝖊𝖒𝖇𝖊𝖗 𝖓𝖔𝖙𝖍𝖎𝖓𝖌 𝖆𝖙 𝖆𝖑𝖑.”
rating:╰☆☆☆☆
THE OVERALL VIBES:
⚔️ violence, war themes
📚 historical fiction
🔮 magical realism
👻 paranormal activity
🌪️ plot twists
🕶️ dual POVs
🔎 mystery
🏳️🌈 LGBTQIA+
TW: WWI, battle scenes, violence, murder, death, gore, dismemberment, gun violence, stabbings, explosions, disfigurement, blood, blood transfusions, surgeries, burn victims, chemical gassings, drowning, bombings, crowd crush scenes, claustrophobia, PTSD, missing loved one, loss of a loved one, mentions of being orphaned, extreme nightmares, mental illness, suicidal ideation, suicidal attempts
My Synopsis:
Set in the 1900’s during WWI, we follow the tragic stories of Canadian siblings, Laura & Freddie. Laura, a nurse wounded on the frontlines was honorably discharged until she recieved a package with her brother’s belongings which raised her immediate suspicion. With increasing concern over what truly happened to her brother entwined with the devasting loss of her mother & father due to an explosion at home, Laura was determined to resurrect answers for the only relative she had left. Her unfaltering loyalty to her brother sent her back to the frontlines at a private hospital where her investigation began, however, she found herself attempting to solve another mystery of a phantismal fiddler capable of luring wounded soliders to feed on their memories.
Freddie’s point of view is quite the contrary of his sister’s. He is not a nurse, but a soldier fighting to survive in the unfathomably gruesome No Man’s Land in the war. We travel alongside Freddie as he battles the horrors & darkness that attempts to devour him whole on the battlefield. He endures the utmost mental & physical pain, but traverses through all thanks to a German soldier who helps him to stay alive. An unbreakable bond was forged through desperation & hope between two men that surpassed being mere enemies.
Soon enough our beloved siblings’ timelines merged as their stories of survival, agony, hope, love & ultimately escaping not only the war, but the paranormal aligned.
What I loved:
Katherine Arden’s atmospheric prose
The Warm Hands of Ghosts did not shy away from the gruesome brutality of WWI. I felt truly *transported* into the ungodliness of this war. Arden’s vivid storytelling gripped the entirety of my soul. I felt all the pain. It opened & healed wounds I did not know I had and quite frankly, I feel as though this book will haunt me for many years to come. Through the horrors of war, Arden weaved fanstical paranomal aspects which adds a delightful mystery that still has me guessing. This book felt intelligent, beautifully written & whole heartedly creative.
Themes, Themes, Themes!
Yes, clearly this book was about war, but it was also so much more. This was a book about the loyalty of siblings & an undying, non judgemental love. Laura & Freddie went (perhaps, quite literally) to hell & back for one another. To save each other. & when they returned, ruined and in pieces they were there for one another. It was so heartfelt, I truly ached.
This book was about vengeance & how even the most seemingly innocent of people can be so wicked and unforgiving.
But most importantly, this book was about love and hope . How love can grow and thrive even in the most rotten of places. How hope still lives even in the darkest of worlds.
Faland
Ah yes, our infamous, mysterious fiddler! What a hauntingly exquisite addition to this book! This is what truly captivated me as a reader (I love spooky stuff! lol) and left me with so many more questions than answers! I imagine I’ll be daydreaming of Faland for quite some time.
Faland lures dying soliders to his peculiar hotel that seemingly appears out of nowhere near the frontlines. He plays the violin, offers them wine & comforts in exchange for stories. A desperate Freddie unwittingly goes with Faland and steals his memories until he is nothing & no one. He keeps Freddie weak and in his clutches by berating him. He only escapes after he is rescued by his sister coming to find him. Together they go through all of his dark memories from the war, which reveal themselves through mysterious magical doors. One by one, they face them together until she carries her brother to safety.
It makes me wonder was this a metaphor created by Arden to represent a sanatorium? Or perhaps the depth of mental illness? Who knows! Is he a ghost? The devil himself? (There was a small nod to him maybe being the devil when he said he was a “bad solider” who “rebelled” & told Freddie he hurt himself because “he fell”. Perhaps he is the fallen angel afterall….?) Or is he an embodiment of the war itself? Or is he an illusion created from the madness of war? I guess its a mystery I’ll never truly solve…
What I disliked:
Heavy war themes
It was hard on my ~sensitive lil’ heart~ to read everything Laura & Freddie endured. Especially Freddie. My heart shattered into a million pieces & to know these atrocities occured during WWI was almost too painful to bare.
Overall, this book was absolutely mesmerizing filled with deeply layered characters during one of the most devasting moments of history. If you (like me) enjoy fantasy with a blend of historical fiction, you will devour this book (like I did) *•.¸♡
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
𝚄𝚙𝚍𝚊𝚝𝚎: 𝟹.𝟼.𝟸𝟺
➶ “𝔗𝔥𝔢 𝔰𝔨𝔢𝔩𝔢𝔱𝔬𝔫-𝔠𝔦𝔱𝔶 𝔪𝔦𝔤𝔥𝔱 𝔟𝔢 𝔞 𝔭𝔩𝔞𝔠𝔢 𝔯𝔲𝔩𝔢𝔡 𝔟𝔶 𝔪𝔢𝔫, 𝔟𝔲𝔱 𝔇𝔢𝔞𝔱𝔥 𝔩𝔦𝔳𝔢𝔡 𝔱𝔥𝔢𝔯𝔢 𝔱𝔬𝔬…”
This book is haunting me in the best possible way! The dark themes of the horrors of war mixed with the paranormal is so rich in creativity, I love it!! Hoping to finish this tonight….
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
𝚄𝚙𝚍𝚊𝚝𝚎: 𝟹.𝟷.𝟸𝟺
➶ forever in my spooky girl era 👻 ★彡
rating:╰☆☆☆☆
THE OVERALL VIBES:
⚔️ violence, war themes
📚 historical fiction
🔮 magical realism
👻 paranormal activity
🌪️ plot twists
🕶️ dual POVs
🔎 mystery
🏳️🌈 LGBTQIA+
TW: WWI, battle scenes, violence, murder, death, gore, dismemberment, gun violence, stabbings, explosions, disfigurement, blood, blood transfusions, surgeries, burn victims, chemical gassings, drowning, bombings, crowd crush scenes, claustrophobia, PTSD, missing loved one, loss of a loved one, mentions of being orphaned, extreme nightmares, mental illness, suicidal ideation, suicidal attempts
My Synopsis:
Set in the 1900’s during WWI, we follow the tragic stories of Canadian siblings, Laura & Freddie. Laura, a nurse wounded on the frontlines was honorably discharged until she recieved a package with her brother’s belongings which raised her immediate suspicion. With increasing concern over what truly happened to her brother entwined with the devasting loss of her mother & father due to an explosion at home, Laura was determined to resurrect answers for the only relative she had left. Her unfaltering loyalty to her brother sent her back to the frontlines at a private hospital where her investigation began, however, she found herself attempting to solve another mystery of a phantismal fiddler capable of luring wounded soliders to feed on their memories.
Freddie’s point of view is quite the contrary of his sister’s. He is not a nurse, but a soldier fighting to survive in the unfathomably gruesome No Man’s Land in the war. We travel alongside Freddie as he battles the horrors & darkness that attempts to devour him whole on the battlefield. He endures the utmost mental & physical pain, but traverses through all thanks to a German soldier who helps him to stay alive. An unbreakable bond was forged through desperation & hope between two men that surpassed being mere enemies.
Soon enough our beloved siblings’ timelines merged as their stories of survival, agony, hope, love & ultimately escaping not only the war, but the paranormal aligned.
What I loved:
Katherine Arden’s atmospheric prose
The Warm Hands of Ghosts did not shy away from the gruesome brutality of WWI. I felt truly *transported* into the ungodliness of this war. Arden’s vivid storytelling gripped the entirety of my soul. I felt all the pain. It opened & healed wounds I did not know I had and quite frankly, I feel as though this book will haunt me for many years to come. Through the horrors of war, Arden weaved fanstical paranomal aspects which adds a delightful mystery that still has me guessing. This book felt intelligent, beautifully written & whole heartedly creative.
Themes, Themes, Themes!
Yes, clearly this book was about war, but it was also so much more. This was a book about the loyalty of siblings & an undying, non judgemental love. Laura & Freddie went (perhaps, quite literally) to hell & back for one another. To save each other. & when they returned, ruined and in pieces they were there for one another. It was so heartfelt, I truly ached.
This book was about vengeance & how even the most seemingly innocent of people can be so wicked and unforgiving.
But most importantly, this book was about love and hope . How love can grow and thrive even in the most rotten of places. How hope still lives even in the darkest of worlds.
Faland
Ah yes, our infamous, mysterious fiddler! What a hauntingly exquisite addition to this book! This is what truly captivated me as a reader (I love spooky stuff! lol) and left me with so many more questions than answers! I imagine I’ll be daydreaming of Faland for quite some time.
Faland lures dying soliders to his peculiar hotel that seemingly appears out of nowhere near the frontlines. He plays the violin, offers them wine & comforts in exchange for stories. A desperate Freddie unwittingly goes with Faland and steals his memories until he is nothing & no one. He keeps Freddie weak and in his clutches by berating him. He only escapes after he is rescued by his sister coming to find him. Together they go through all of his dark memories from the war, which reveal themselves through mysterious magical doors. One by one, they face them together until she carries her brother to safety.
It makes me wonder was this a metaphor created by Arden to represent a sanatorium? Or perhaps the depth of mental illness? Who knows! Is he a ghost? The devil himself? (There was a small nod to him maybe being the devil when he said he was a “bad solider” who “rebelled” & told Freddie he hurt himself because “he fell”. Perhaps he is the fallen angel afterall….?) Or is he an embodiment of the war itself? Or is he an illusion created from the madness of war? I guess its a mystery I’ll never truly solve…
What I disliked:
Heavy war themes
It was hard on my ~sensitive lil’ heart~ to read everything Laura & Freddie endured. Especially Freddie. My heart shattered into a million pieces & to know these atrocities occured during WWI was almost too painful to bare.
Overall, this book was absolutely mesmerizing filled with deeply layered characters during one of the most devasting moments of history. If you (like me) enjoy fantasy with a blend of historical fiction, you will devour this book (like I did) *•.¸♡
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
𝚄𝚙𝚍𝚊𝚝𝚎: 𝟹.𝟼.𝟸𝟺
➶ “𝔗𝔥𝔢 𝔰𝔨𝔢𝔩𝔢𝔱𝔬𝔫-𝔠𝔦𝔱𝔶 𝔪𝔦𝔤𝔥𝔱 𝔟𝔢 𝔞 𝔭𝔩𝔞𝔠𝔢 𝔯𝔲𝔩𝔢𝔡 𝔟𝔶 𝔪𝔢𝔫, 𝔟𝔲𝔱 𝔇𝔢𝔞𝔱𝔥 𝔩𝔦𝔳𝔢𝔡 𝔱𝔥𝔢𝔯𝔢 𝔱𝔬𝔬…”
This book is haunting me in the best possible way! The dark themes of the horrors of war mixed with the paranormal is so rich in creativity, I love it!! Hoping to finish this tonight….
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
𝚄𝚙𝚍𝚊𝚝𝚎: 𝟹.𝟷.𝟸𝟺
➶ forever in my spooky girl era 👻 ★彡
This entire review has been hidden because of spoilers.
March 6, 2024
From the moment I cracked open this book, I knew this novel was going to make a home within my heart and change me forever, as a reader.
Katherine Arden is a master at painting a lush scene that transports you to a world of her own making. Desolate, demanding, and haunting in both timelines that eventually converge into an explosive, poignant plot, I absolutely loved the religious aesthetics woven into the turbulence and pure horror of WWI both from the eyes of a nurse and a soldier on the front lines.
There are so many elements of this story that I can’t touch upon with praise without spoiling the twists and turns it takes, but if you’re a fan of the film 1917 and the song Hotel California by The Eagles, this is the book for you.
The sibling dynamics, the explorations of varying forms of evil that crop up amid the darkest parts of human history, and the ways ghosts can haunt you in dark corners are masterful.
Katherine Arden, no one can compare to you.
Katherine Arden is a master at painting a lush scene that transports you to a world of her own making. Desolate, demanding, and haunting in both timelines that eventually converge into an explosive, poignant plot, I absolutely loved the religious aesthetics woven into the turbulence and pure horror of WWI both from the eyes of a nurse and a soldier on the front lines.
There are so many elements of this story that I can’t touch upon with praise without spoiling the twists and turns it takes, but if you’re a fan of the film 1917 and the song Hotel California by The Eagles, this is the book for you.
The sibling dynamics, the explorations of varying forms of evil that crop up amid the darkest parts of human history, and the ways ghosts can haunt you in dark corners are masterful.
Katherine Arden, no one can compare to you.
March 9, 2024
4.5 stars. It's no secret that I'm a huge fan of the Winternight trilogy, its magical atmosphere and characters in particular. So I've been highly anticipating Katherine Arden's new Adult book since it's been announced. Yet upon reading the first chapters, I realized that I'd better adjust my expectations to get the most of this book : indeed if there *is* a speculative twist, The Warm Hands of Ghosts is a historical novel set during WW1 most of all, and in my opinion you shouldn't go in there expecting something reminiscing of Vasya's story. You won't find it. Her writing here is more raw, to the point—and if it suited the story so well, it's undeniably different.
You should still read this book, however.
The Warm Hands of Ghosts is hauntingly beautiful, eerie yet realistic—truly an all-consuming experience. It doesn't shy away from the horrors of war and is very graphic at times, and the dash of magic doesn't undermine the hopelessness of it all—on the contrary, it makes the unreality of war so much more pregnant. I was there with the characters, and I cared *so much*. Slow but never boring, it captured my interest quickly and never let go.
My only real complaint is the way the ending wrapped everything in a neat bow, but then how can I find fault in that when it made me so very happy? I can't, really. In this house we try not to be hypocrites, so. yeah. The romances might have been a bit underdeveloped, but I was rooting for them all the way. They *worked*.
This story will stay with me for a very long time. Recommended to Historical fiction readers.
You should still read this book, however.
The Warm Hands of Ghosts is hauntingly beautiful, eerie yet realistic—truly an all-consuming experience. It doesn't shy away from the horrors of war and is very graphic at times, and the dash of magic doesn't undermine the hopelessness of it all—on the contrary, it makes the unreality of war so much more pregnant. I was there with the characters, and I cared *so much*. Slow but never boring, it captured my interest quickly and never let go.
My only real complaint is the way the ending wrapped everything in a neat bow, but then how can I find fault in that when it made me so very happy? I can't, really. In this house we try not to be hypocrites, so. yeah. The romances might have been a bit underdeveloped, but I was rooting for them all the way. They *worked*.
This story will stay with me for a very long time. Recommended to Historical fiction readers.
February 28, 2024
4.5⭐
"He'd chosen the new world... chosen the wasteland of his life, with whatever green shoots he could coax out of the parched terrain of his soul."
A quiet, beautiful novel about the horrors of WW1, enduring love between siblings, unexpected connections, and sacrifices made to maintain the most tenuous hold on "safety" for those they care about.
It is also a novel about the millions of men and women whose lives became utterly unrecognisable as this brutal war crushed Europe in its fist.
Ardens confidently weaves a mysterious magic through the harsh realism of her narrative. It works exceptionally well.
Audiobook notes
Strong, emotional performances by both the male and female narrators. January LaVoy, in particular, easily handles a broad cast of characters. I always knew who was speaking before we received the dialogue tag. I absolutely recommend the audiobook if you're partial to them.
"He'd chosen the new world... chosen the wasteland of his life, with whatever green shoots he could coax out of the parched terrain of his soul."
A quiet, beautiful novel about the horrors of WW1, enduring love between siblings, unexpected connections, and sacrifices made to maintain the most tenuous hold on "safety" for those they care about.
It is also a novel about the millions of men and women whose lives became utterly unrecognisable as this brutal war crushed Europe in its fist.
Ardens confidently weaves a mysterious magic through the harsh realism of her narrative. It works exceptionally well.
Audiobook notes
Strong, emotional performances by both the male and female narrators. January LaVoy, in particular, easily handles a broad cast of characters. I always knew who was speaking before we received the dialogue tag. I absolutely recommend the audiobook if you're partial to them.
March 26, 2024
You’ll have to watch @Kris.and.mads titktok monthly wrap up for my review!
![Profile Image for laurel [the suspected bibliophile].](https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/users/1645808644i/7494844._UX200_CR0,6,200,200_.jpg)
December 29, 2023
Vasilisa walked so Laura could run.
This book was incredible. So damn good.
PSTD (although it's never called that; this is WWI) features heavily, with several different aspects of how people cope. Courage also features heavily, although the definition of courage Arden employs is perhaps not the definition that immediately comes to mind. In the same way, grief is also featured. There are conversations spoken aloud and conversations that lie in the silences and the gaps between words, understood in an IYKYK kind of way. And then there are the ghosts.
Arden talks a lot about how hard it was to write, how the narrative kept slipping away, and I can see that—what a hard book to capture. But holy shit was the result fantastic.
Many warnings, however. This is a book that delves into the horrors of WWI and battles in the trenches, and also dives into the Halifax Explosion. The entire time, the Spanish Flu pandemic is lurking around the corner, seen and experienced but never named, except by the reader.
I received an ARC from NetGalley
This book was incredible. So damn good.
PSTD (although it's never called that; this is WWI) features heavily, with several different aspects of how people cope. Courage also features heavily, although the definition of courage Arden employs is perhaps not the definition that immediately comes to mind. In the same way, grief is also featured. There are conversations spoken aloud and conversations that lie in the silences and the gaps between words, understood in an IYKYK kind of way. And then there are the ghosts.
Arden talks a lot about how hard it was to write, how the narrative kept slipping away, and I can see that—what a hard book to capture. But holy shit was the result fantastic.
Many warnings, however. This is a book that delves into the horrors of WWI and battles in the trenches, and also dives into the Halifax Explosion. The entire time, the Spanish Flu pandemic is lurking around the corner, seen and experienced but never named, except by the reader.
I received an ARC from NetGalley
February 18, 2024
3.5 - ⭐️⭐️⭐️💫
Thank you NetGalley and the Publisher for gifting me with an eARC in exchange for an honest review.
“Wars are stark things, are they not? Black and white. Allies and enemies. Not this time. You will not know who your enemies are, nor will they reveal themselves as you expect. You will not know whom to trust, but you must trust regardless. Do you understand?”
I was extremely thrilled about a new Katherine Arden book as she completely enchanted me with her Winternight trilogy.
The Warm Hands of Ghosts is a historical fiction taking us back to darker times when tragedy struck on a greater scale during the Great War in the 1910s.
Laura returns to Halifax after being discharged due to her leg injury, leaving behind her brother Freddie who is still fighting in the trenches of the War in Belgium. She eventually receives word that her brother had died in the War, but something is not clicking into place for Laura and so she decides to return to Belgium to as a volunteer at a private hospital and seek the truth of her brother's demise.
We follow two perspectives that transports us to different settings in the War, one is narrated through Laura's POV in the present time (1918) and the other is narrated in the past through Freddie's POV in (1917).
The characters forge unexpected bonds with both allies and enemies while navigating through a great bloody war that will forever alter humanity.
Themes of grief and hope are very prominent and they are what I consider to be the backbone of the book, and I admire the supernatural elements Arden wove into the story.
I found Freddie's chapters to be more compelling than Laura's as they were more heavy with emotions and witnessing what he had endured just made me more attached to him. Laura on the other hand was just okay, but it was Freddie who was the star of the book.
There is a small bit of romance (which I wish was a bit more prominent).
Overall, fans of historical fiction may enjoy this but don't dive into this book expecting it to be similar to Winternight as it's more fantastical and relies on Slavic fairytales whereas TWHOG has a completely different tone.
Thank you NetGalley and the Publisher for gifting me with an eARC in exchange for an honest review.
“Wars are stark things, are they not? Black and white. Allies and enemies. Not this time. You will not know who your enemies are, nor will they reveal themselves as you expect. You will not know whom to trust, but you must trust regardless. Do you understand?”
I was extremely thrilled about a new Katherine Arden book as she completely enchanted me with her Winternight trilogy.
The Warm Hands of Ghosts is a historical fiction taking us back to darker times when tragedy struck on a greater scale during the Great War in the 1910s.
Laura returns to Halifax after being discharged due to her leg injury, leaving behind her brother Freddie who is still fighting in the trenches of the War in Belgium. She eventually receives word that her brother had died in the War, but something is not clicking into place for Laura and so she decides to return to Belgium to as a volunteer at a private hospital and seek the truth of her brother's demise.
We follow two perspectives that transports us to different settings in the War, one is narrated through Laura's POV in the present time (1918) and the other is narrated in the past through Freddie's POV in (1917).
The characters forge unexpected bonds with both allies and enemies while navigating through a great bloody war that will forever alter humanity.
Themes of grief and hope are very prominent and they are what I consider to be the backbone of the book, and I admire the supernatural elements Arden wove into the story.
I found Freddie's chapters to be more compelling than Laura's as they were more heavy with emotions and witnessing what he had endured just made me more attached to him. Laura on the other hand was just okay, but it was Freddie who was the star of the book.
There is a small bit of romance (which I wish was a bit more prominent).
Overall, fans of historical fiction may enjoy this but don't dive into this book expecting it to be similar to Winternight as it's more fantastical and relies on Slavic fairytales whereas TWHOG has a completely different tone.
February 4, 2024
Katherine Arden is one of the few authors that I will read anything she's written. After reading the Winternight trilogy, I was in love with the voice and the fairy-tale like prose. This book has the same voice and the same fairy-tale type prose. I saw the author's name and grabbed the book, not even reading the description. I was surprised to find it is a story set in World War I. I'm not sure I've read any books about World War I, as everyone seems to be focused on World War II as a setting for many novels. This is an emotional read.
Description:
January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else?
November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear.
As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.
My Thoughts:
The story unfolds from two points of view, Laura Iven and her brother, Freddie Iven. I liked both of these characters and they were fully developed in the book. The plot moved at a steady pace with at atmospheric feel. The ghosts in the story enhanced the tale and somehow seemed to fit.
I feel like I have a much better picture of what World War I may have been like for those serving than I had before reading this book. The scenes in both the trenches and the hospitals were gritty and heartbreaking. War is such a destructive, terrible thing. For those of you who read this book be sure to read over the author's note at the end - I found it interesting. Kudos to Katherine Aren for another great novel!
Thanks to Random House Publishing Group - Ballantine, Del Rey through Netgalley for an advance copy. Expected publication on February 13, 2024.
Description:
January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else?
November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear.
As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.
My Thoughts:
The story unfolds from two points of view, Laura Iven and her brother, Freddie Iven. I liked both of these characters and they were fully developed in the book. The plot moved at a steady pace with at atmospheric feel. The ghosts in the story enhanced the tale and somehow seemed to fit.
I feel like I have a much better picture of what World War I may have been like for those serving than I had before reading this book. The scenes in both the trenches and the hospitals were gritty and heartbreaking. War is such a destructive, terrible thing. For those of you who read this book be sure to read over the author's note at the end - I found it interesting. Kudos to Katherine Aren for another great novel!
Thanks to Random House Publishing Group - Ballantine, Del Rey through Netgalley for an advance copy. Expected publication on February 13, 2024.
October 7, 2023
I'd like to thank the publisher and NetGalley for allowing me a chance at reading this book. As someone who devoured the trilogy she had written prior for adult audiences, I like her writing. I really do, and I find that she is one of the best fantasy writers we have currently.
So Warm Hands of Ghosts.
I'm going to tell you, that if you're looking for something with a lot of character development or depth, you're not going to really find it in this book. It's a stand alone. A depressing one, too at that.
Reading this one while easy felt like a chore at times. You have two narratives - Laura and her brother, who may or may not be dead. Laura is a nurse, who was working on the front lines but was discharged when she was injured. You can tell she is struggling and wants to do more but at the same time she is set on trying to find her brother since the effects she got don't make sense.
Her brother, meanwhile, has found himself injured and stranded in No Man's Land with a German. They must trudge across the land, looking for help, each committing to one another to be their company's prisoner depending on who finds them. Who does find them is a mysterious fiddler with a house / inn that appears when you're not looking for it, tempting you of things you want. And, in exchange for a story, you forget yourself...
I guess I expected more. I felt like a window or a wall at times was being put up between me and the characters and moments when the characters passed by this window so to speak (mainly the interactions with the fiddler) did I feel the plot was moving somewhere. I didn't really care about the other characters - there was this girl who was constantly crying about her lost son, and this doctor that apparently starts having feelings for Laura. I was more interested in the fiddler who seemed much more interesting than any one.
Another thing I was saddened by is that the focus was on Laura, but she wasn't written to be that compelling of a protagonist to follow. I would have preferred the focus on the brother, since his chapters - because they dealt with the fiddler - were much more interesting.
At times it made me think of Labyrinth, the fiddler the mastermind, keeping Laura's brother in his world of turmoil and Laura must go rescue him. But, in terms of Labyrinth and Sarah growing up / changing / being a better person. Laura doesn't do much of anything of interest.
SO, overall. It's a great book, and some might rate it higher, but if I had to compare this book to the trilogy? I prefer the trilogy. This will be for people who aren't looking for character, they're looking for a feeling.
So Warm Hands of Ghosts.
I'm going to tell you, that if you're looking for something with a lot of character development or depth, you're not going to really find it in this book. It's a stand alone. A depressing one, too at that.
Reading this one while easy felt like a chore at times. You have two narratives - Laura and her brother, who may or may not be dead. Laura is a nurse, who was working on the front lines but was discharged when she was injured. You can tell she is struggling and wants to do more but at the same time she is set on trying to find her brother since the effects she got don't make sense.
Her brother, meanwhile, has found himself injured and stranded in No Man's Land with a German. They must trudge across the land, looking for help, each committing to one another to be their company's prisoner depending on who finds them. Who does find them is a mysterious fiddler with a house / inn that appears when you're not looking for it, tempting you of things you want. And, in exchange for a story, you forget yourself...
I guess I expected more. I felt like a window or a wall at times was being put up between me and the characters and moments when the characters passed by this window so to speak (mainly the interactions with the fiddler) did I feel the plot was moving somewhere. I didn't really care about the other characters - there was this girl who was constantly crying about her lost son, and this doctor that apparently starts having feelings for Laura. I was more interested in the fiddler who seemed much more interesting than any one.
Another thing I was saddened by is that the focus was on Laura, but she wasn't written to be that compelling of a protagonist to follow. I would have preferred the focus on the brother, since his chapters - because they dealt with the fiddler - were much more interesting.
At times it made me think of Labyrinth, the fiddler the mastermind, keeping Laura's brother in his world of turmoil and Laura must go rescue him. But, in terms of Labyrinth and Sarah growing up / changing / being a better person. Laura doesn't do much of anything of interest.
SO, overall. It's a great book, and some might rate it higher, but if I had to compare this book to the trilogy? I prefer the trilogy. This will be for people who aren't looking for character, they're looking for a feeling.
March 15, 2024
This review was originally published on Before We Go Blog
Well, Katherine Arden has done it again. Brimming with atmosphere, emotion, and mystifying intrigue, The Warm Hands of Ghosts is an incredibly poignant historical fiction novel with a breathtaking speculative twist that will keep you entranced from start to finish.
With how much I adore Arden’s Winternight trilogy, I was equally nervous and excited to read something completely new from her. Once again, we are offered a magical historical fiction novel, except this time the fantastical elements are even more elusive and up to interpretation than those in Winternight. However, don’t fool yourself into thinking that this story will be any less entrancing, because Arden simply has a way of weaving pure magic into her words.
The Warm Hands of Ghosts tells the harrowing story of the Iven siblings, both broken by the war yet refusing to believe they have lost each other. In 1918, the grief-stricken war nurse Laura receives a strange message during a séance that prompts her to travel back to Belgium, determined to find out what has happened to her brother. Jumping back a couple of months, we follow said brother, Freddie, desperately trying to escape the overturned pillbox that he has tragically become trapped in together with an enemy German soldier. Nothing will stop them in their fight for survival and hunt for answers, not even the enigmatic violinist with his devilishly tempting offers of comfort and solace.
Now, WW1 stories are not my preferred type of setting and time period, but leave it to Arden to get me fully invested. The way that she brought the apocalyptic chaos of the war to life through the intimate perspectives of the Iven siblings was horrifyingly captivating. The death, despair and decay is truly inescapable, described in such a painfully realistic way that it almost felt voyeuristic to witness all the pain and suffering they had to endure.
From the very first page, there is just a dangerously addictive air of intrigue and desperation woven into the narrative, which honestly kept me in a chokehold. Both Laura and Freddie were tragically compelling characters, and I loved seeing how they were both desperately trying to survive in their own ways while they hunted for answers.
Though while Laura is arguably the main main character of The Warm Hands of Ghosts, I actually ended up preferring Freddie’s perspective over hers. I think this was mainly because I wasn’t all that compelled by all the very bleak nursing sequences in her storyline, even though I deeply appreciated getting a glimpse into the horribly desperate situation of both the victims and the caretakers at the warfront hospital.
In contrast, Freddie’s storyline had both an intoxicating sense of urgency and a mystifying air of intrigue that kept me glued to the page, and I loved the almost feverdream-like haze that Arden created as he came in contact with the more ethereal aspects of this story. His dynamic with Winter also really tugged on my heartstrings, and I would honestly have loved to lean even further into their complicated journey of self-discovery and tentatively developing bond of trust and love.
There’s truly no denying that The Warm Hands of Ghosts is a very dark, bleak, and heavy story, but I wouldn’t say that it is depressing. There is so much hope, defiance, and love woven into the narrative, which gives it way more heart than you might initially expect. And while Arden’s prose is a lot less flowery than in Winternight, there is a beauty to the sparseness that perfectly fits with this narrative and which makes all the emotional beats hit all the harder.
Themes of grief and loss, of both loved ones and of your own self, are powerfully explored in The Warm Hands of Ghosts. Not only through the eyes of these two protagonists, but also through all the wonderful people they bond with along the way. Moreover, the heavy toll that trauma takes on the body and mind really becomes the heart of this story, and I was eerily captivated by the exploration of what different people were willing to give up to pacify themselves and to recover a semblance of inner peace.
Now, I’ll admit that it took me a bit to really appreciate the magical realism elements introduced through the antagonist, but by the end I was very impressed by what Arden accomplished. As someone who is not Christian, I am certain that a lot of the deeper layers of this story were completely lost on me. However, it is a testament to Arden’s writing that The Warm Hands of Ghosts still works on an emotional level, even without grasping all the biblical allusions and references.
And speaking of emotional, I really commend Arden for not wrapping this story up in a neat pretty bow, as that would have felt incredibly disingenuous. The war might be over and these characters might be in a much safer space now, but they are still extremely scarred on so many levels and will be working on their tumultuous healing journey for a long, long time to come.
Overall, I think Arden executed her vision for this story to perfection, and I can now truly safely say that she is an auto-buy author for me. If you are looking for a tragically beautiful and darkly entrancing WW1 story that will haunt you for days to come, then you have to check out The Warm Hands of Ghosts.
Well, Katherine Arden has done it again. Brimming with atmosphere, emotion, and mystifying intrigue, The Warm Hands of Ghosts is an incredibly poignant historical fiction novel with a breathtaking speculative twist that will keep you entranced from start to finish.
With how much I adore Arden’s Winternight trilogy, I was equally nervous and excited to read something completely new from her. Once again, we are offered a magical historical fiction novel, except this time the fantastical elements are even more elusive and up to interpretation than those in Winternight. However, don’t fool yourself into thinking that this story will be any less entrancing, because Arden simply has a way of weaving pure magic into her words.
The Warm Hands of Ghosts tells the harrowing story of the Iven siblings, both broken by the war yet refusing to believe they have lost each other. In 1918, the grief-stricken war nurse Laura receives a strange message during a séance that prompts her to travel back to Belgium, determined to find out what has happened to her brother. Jumping back a couple of months, we follow said brother, Freddie, desperately trying to escape the overturned pillbox that he has tragically become trapped in together with an enemy German soldier. Nothing will stop them in their fight for survival and hunt for answers, not even the enigmatic violinist with his devilishly tempting offers of comfort and solace.
Now, WW1 stories are not my preferred type of setting and time period, but leave it to Arden to get me fully invested. The way that she brought the apocalyptic chaos of the war to life through the intimate perspectives of the Iven siblings was horrifyingly captivating. The death, despair and decay is truly inescapable, described in such a painfully realistic way that it almost felt voyeuristic to witness all the pain and suffering they had to endure.
From the very first page, there is just a dangerously addictive air of intrigue and desperation woven into the narrative, which honestly kept me in a chokehold. Both Laura and Freddie were tragically compelling characters, and I loved seeing how they were both desperately trying to survive in their own ways while they hunted for answers.
Though while Laura is arguably the main main character of The Warm Hands of Ghosts, I actually ended up preferring Freddie’s perspective over hers. I think this was mainly because I wasn’t all that compelled by all the very bleak nursing sequences in her storyline, even though I deeply appreciated getting a glimpse into the horribly desperate situation of both the victims and the caretakers at the warfront hospital.
In contrast, Freddie’s storyline had both an intoxicating sense of urgency and a mystifying air of intrigue that kept me glued to the page, and I loved the almost feverdream-like haze that Arden created as he came in contact with the more ethereal aspects of this story. His dynamic with Winter also really tugged on my heartstrings, and I would honestly have loved to lean even further into their complicated journey of self-discovery and tentatively developing bond of trust and love.
There’s truly no denying that The Warm Hands of Ghosts is a very dark, bleak, and heavy story, but I wouldn’t say that it is depressing. There is so much hope, defiance, and love woven into the narrative, which gives it way more heart than you might initially expect. And while Arden’s prose is a lot less flowery than in Winternight, there is a beauty to the sparseness that perfectly fits with this narrative and which makes all the emotional beats hit all the harder.
Themes of grief and loss, of both loved ones and of your own self, are powerfully explored in The Warm Hands of Ghosts. Not only through the eyes of these two protagonists, but also through all the wonderful people they bond with along the way. Moreover, the heavy toll that trauma takes on the body and mind really becomes the heart of this story, and I was eerily captivated by the exploration of what different people were willing to give up to pacify themselves and to recover a semblance of inner peace.
Now, I’ll admit that it took me a bit to really appreciate the magical realism elements introduced through the antagonist, but by the end I was very impressed by what Arden accomplished. As someone who is not Christian, I am certain that a lot of the deeper layers of this story were completely lost on me. However, it is a testament to Arden’s writing that The Warm Hands of Ghosts still works on an emotional level, even without grasping all the biblical allusions and references.
And speaking of emotional, I really commend Arden for not wrapping this story up in a neat pretty bow, as that would have felt incredibly disingenuous. The war might be over and these characters might be in a much safer space now, but they are still extremely scarred on so many levels and will be working on their tumultuous healing journey for a long, long time to come.
Overall, I think Arden executed her vision for this story to perfection, and I can now truly safely say that she is an auto-buy author for me. If you are looking for a tragically beautiful and darkly entrancing WW1 story that will haunt you for days to come, then you have to check out The Warm Hands of Ghosts.
February 29, 2024
“Maman, I’m lost. Can you hear me? We’re lost, Freddie and I.” IYKYK.
The way this book had me sobbing at the end! There are no words to describe how beautiful and heart wrenching this was. Truly a story that will stick with me through the ages. Go read this 🙏.
The way this book had me sobbing at the end! There are no words to describe how beautiful and heart wrenching this was. Truly a story that will stick with me through the ages. Go read this 🙏.
February 26, 2024
The Warm Hands of Ghosts exists in liminal spaces, straddling the tenuous border between reality and fantasy, life and death, historical and speculative fiction. It is a story that grapples for scraps of humanity amongst the wreckage of war. A story in which the characters desperately pine for a miracle yet must settle for tattered vestiges of hope. Because hope, fleeting though it may be, persists.
But what if the salvation you sought turned out to be a greater hell than the one from which you were plucked? What if your savior is leech? A fiend?
Proust who? Katherine Arden has rebranded the persistence of memory. Those dogged, unflagging memories of sun-kissed skin, the sea breeze in one’s hair, and the explosion of glass that still knocks the breath out of you. Peaceful, quotidian remembrances plague the characters, their spent happiness rendered in stark contrast against their new reality. Yet for some, salvation is found in the contours of memory.
The Warm Hands of Ghosts is a haunting. It is characters who have seemingly lost everything, running from ghosts and running to ghosts. It is the specter of possibility. It is hope, desperate, keening hope daring to wend its way in and settle into the brain and lingering against all sense.
Not all casualties of war are dead. Warm hands of ghosts, indeed.
https://www.instagram.com/p/C3iFyWkrL...
02/05/24– I’m gonna need some time to process because my mind is blank and my face is wet.
But what if the salvation you sought turned out to be a greater hell than the one from which you were plucked? What if your savior is leech? A fiend?
Proust who? Katherine Arden has rebranded the persistence of memory. Those dogged, unflagging memories of sun-kissed skin, the sea breeze in one’s hair, and the explosion of glass that still knocks the breath out of you. Peaceful, quotidian remembrances plague the characters, their spent happiness rendered in stark contrast against their new reality. Yet for some, salvation is found in the contours of memory.
The Warm Hands of Ghosts is a haunting. It is characters who have seemingly lost everything, running from ghosts and running to ghosts. It is the specter of possibility. It is hope, desperate, keening hope daring to wend its way in and settle into the brain and lingering against all sense.
Not all casualties of war are dead. Warm hands of ghosts, indeed.
https://www.instagram.com/p/C3iFyWkrL...
02/05/24– I’m gonna need some time to process because my mind is blank and my face is wet.
September 30, 2023
This is often a heartbreaking read, a story of war, of loss, but there is also love - in many forms, and hope, to balance the horrors of war. It is also a story of family, and the lengths we will go to in order to protect those we love, as well as the grief that follows loss.
This story begins as World War 1 was in the beginning stages, and as the war began to ramp up, and young men were sent off to war, how the lives of doctors and nurses changed drastically, especially as the wounded were arriving on a regular basis, and life changed for everyone.
Arden has written a beautiful story that reaches through the darkness of both war and the darkness of evil personified, against the gift of light, hope and love.
Pub Date: 13 Feb 2024
Many thanks for the ARC provided by Random House Publishing Group - Ballantine, Del Rey
Read
May 2, 2024DNF/Skim Finish
Mel 🖤🐶🐺🐾
Mel 🖤🐶🐺🐾
October 4, 2023
3* for this well written but rather gloomy story, set in 1918 as WW1 comes to its climax. The premise had a lot of promise but the characters fell a bit flat for me.
So I feel like this book is one of those that you'll appreciate rather than enjoy. Had I gone in with different expectations, I would have liked it a lot more than I did. I'd heard it was a bit slow and character driven, but then so was The Bear and the Nightingale and I thoroughly enjoyed reading that. But unlike the Bear this story didn't present me with a likeable character to root for. I kinda liked Freddie, and I sort of tolerated Laura's chapters but neither character felt alive and breathing. In terms of side characters, I enjoyed reading about Jones (the war surgeon) but he had very little page time. I absolutely adored Arden's characters in her previous books, so this surprised me!
But having a largely character-driven plot with relatively 2D characters just meant I was forcing myself to push through 70% of this novel. There was a bit of action and the tension grew around the 75% mark until the end; there's a few reveals there. However, the plot is very much as it says in the synopsis "ex-war nurse goes looking for lost soldier brother, lost brother and an opposition soldier navigate through the belly of WW1 and discover a mysterious man nicknamed 'The Fiddler'" The plot doesn't grow much beyond that. We find out more details about The Fiddler, we follow Laura as she tries to find Freddie, and we follow Freddie and Winter as they wade through The Forbidden Zone of WW1. That's mostly it.
If you took this book as a harrowing observation on the evils of war, the hypocrisy of men and the blurred lines between good and evil, you'd get what you bargained for. It's beautifully written (I still loved Arden's writing, despite the snail-like plot) and it makes you think. Is it a whimsical, adventurous fantasy with characters to root for? Nope. Is it a tale of war transfused with fantastical elements? That's exactly what it is. Now, I don't think all elements are superbly executed in this one (sadly). I think what Katherine tried to do here is make us question evil, religion etc. She alludes to the war being very much like an apocalyptic scene from the Book of Revelations in the Bible (hint: the chapter titles and the Ivens' mother's beliefs). But after thinking about this, I struggle to see how these links add anything, bar atmosphere, to the novel. Why include references to religion and in this if you're not going to explore it further? How come none of the character's had any afterthoughts about coming face-to-face with evil in-carnate? Arden used religion so well in Bear to make a point, but here it feels shoe-horned into the story.
Now to touch on the romantic aspects. There is a tiny morsel of romance. Like I said above, the focus of the book is the gruesome reality of war and the meaning of evil, so the romantic aspects are few and therefore not well-developed. Laura's romantic involvement felt more believable to me than Freddie's (that's all I can say without spoilers). In my opinion, Freddie's romance felt oddly out of place and Arden either could have done without it or should have developed it a lot better.
It was an interesting book and I enjoyed it to some degree. You can tell by the author's note at the end that Arden was meticulous in her research and is a proper history nerd (and I love that about her) therefore the descriptions felt very real and atmospheric. I only gave it three stars for the writing and I feel I am being generous. If I liked any of the characters a bit more I probably would have given this a higher rating. But as it stands I'm hoping and praying that her next book is a bit more light-hearted and faster-paced.
I received the ARC on NetGalley in exchange for an honest review
Please NetGalley and Del Rey, take pity on me
-----------------------------
I’m expecting this to blow. my. mind.
Why is March 2024 so far away 😭
So I feel like this book is one of those that you'll appreciate rather than enjoy. Had I gone in with different expectations, I would have liked it a lot more than I did. I'd heard it was a bit slow and character driven, but then so was The Bear and the Nightingale and I thoroughly enjoyed reading that. But unlike the Bear this story didn't present me with a likeable character to root for. I kinda liked Freddie, and I sort of tolerated Laura's chapters but neither character felt alive and breathing. In terms of side characters, I enjoyed reading about Jones (the war surgeon) but he had very little page time. I absolutely adored Arden's characters in her previous books, so this surprised me!
But having a largely character-driven plot with relatively 2D characters just meant I was forcing myself to push through 70% of this novel. There was a bit of action and the tension grew around the 75% mark until the end; there's a few reveals there. However, the plot is very much as it says in the synopsis "ex-war nurse goes looking for lost soldier brother, lost brother and an opposition soldier navigate through the belly of WW1 and discover a mysterious man nicknamed 'The Fiddler'" The plot doesn't grow much beyond that. We find out more details about The Fiddler, we follow Laura as she tries to find Freddie, and we follow Freddie and Winter as they wade through The Forbidden Zone of WW1. That's mostly it.
If you took this book as a harrowing observation on the evils of war, the hypocrisy of men and the blurred lines between good and evil, you'd get what you bargained for. It's beautifully written (I still loved Arden's writing, despite the snail-like plot) and it makes you think. Is it a whimsical, adventurous fantasy with characters to root for? Nope. Is it a tale of war transfused with fantastical elements? That's exactly what it is. Now, I don't think all elements are superbly executed in this one (sadly). I think what Katherine tried to do here is make us question evil, religion etc. She alludes to the war being very much like an apocalyptic scene from the Book of Revelations in the Bible (hint: the chapter titles and the Ivens' mother's beliefs). But after thinking about this, I struggle to see how these links add anything, bar atmosphere, to the novel. Why include references to religion and in this if you're not going to explore it further? How come none of the character's had any afterthoughts about coming face-to-face with evil in-carnate? Arden used religion so well in Bear to make a point, but here it feels shoe-horned into the story.
Now to touch on the romantic aspects. There is a tiny morsel of romance. Like I said above, the focus of the book is the gruesome reality of war and the meaning of evil, so the romantic aspects are few and therefore not well-developed. Laura's romantic involvement felt more believable to me than Freddie's (that's all I can say without spoilers). In my opinion, Freddie's romance felt oddly out of place and Arden either could have done without it or should have developed it a lot better.
It was an interesting book and I enjoyed it to some degree. You can tell by the author's note at the end that Arden was meticulous in her research and is a proper history nerd (and I love that about her) therefore the descriptions felt very real and atmospheric. I only gave it three stars for the writing and I feel I am being generous. If I liked any of the characters a bit more I probably would have given this a higher rating. But as it stands I'm hoping and praying that her next book is a bit more light-hearted and faster-paced.
I received the ARC on NetGalley in exchange for an honest review
Please NetGalley and Del Rey, take pity on me
-----------------------------
I’m expecting this to blow. my. mind.
Why is March 2024 so far away 😭
February 13, 2024
There is nothing that Katherine Arden writes that is not deeply thoughtful and full of nuance. This story, set during World War I, of Laura, an injured nurse grieving her parents and searching for her missing soldier brother while being trailed by the ghosts of her loved ones, completely mesmerized me.
Add in the fantastical fiddle player luring soldiers to his facade of a luxurious hotel who exacts a terrible price from his guests, and you have a perfect setup for a haunting and unforgettable story.
I wasn't sure how I would feel about this story after loving The Winternight Trilogy as much as I do, but I was so happy to see that I was every bit as swept away in the lives of these characters as I was for Vasya and Morozko.
My only complaint is the ending wrapped up a bit too quickly and easy, and this book had a more hopeless feel than the very hopeful Winternight series.
I received an ARC for review
Add in the fantastical fiddle player luring soldiers to his facade of a luxurious hotel who exacts a terrible price from his guests, and you have a perfect setup for a haunting and unforgettable story.
I wasn't sure how I would feel about this story after loving The Winternight Trilogy as much as I do, but I was so happy to see that I was every bit as swept away in the lives of these characters as I was for Vasya and Morozko.
My only complaint is the ending wrapped up a bit too quickly and easy, and this book had a more hopeless feel than the very hopeful Winternight series.
I received an ARC for review
February 26, 2024
The Great War. A sibling’s loyalty. A love born in darkness. The temptation of oblivion and it’s consequences. The horror of war. Heartbreak. Gore. Sadness. And ghosts.
February 27, 2024
this book killed me and i am dead now, you can tell bc of my warm hands
(full review later)
(full review later)
March 30, 2024
"A hand brushed hers. Warm fingers, a little rough with glass. Ghosts have warm hands. She didn't open her eyes. She didn't dare. Looking would burst her fragile soap-bubble of belief. She didn't look even when that familiar hand wound its fingers with hers, and pulled her forward."
I’m always convinced I will love books in the “magical realism” genre (I rarely do), but “horror” is never for me. Why then, did I truly believe I would love this? I guess I’m just delulu. I’m not going to rate this too harshly because I think it’s kind of on me for reading something I was never going to love, but I will say that I found this to be a strange read.
Overall I think this was well written, and a lot of the WWl scenes were very compelling, but I did feel like the author kind of screwed up the ending. I expected the author to provide a real world explanation for the magical elements and she really didn’t. My main issue was with the way they eventually escaped. The way out absolutely should have been facing and reliving all of those memories. I did not like that the author implied that that was not working. The way they eventually escaped felt overly simplistic. Facing all of his past traumas head on would have been a much more powerful and realistic ending.
I kind of feel like she was trying too hard with this one, but I think a lot of people will still love it.
This isn’t super relevant to this book, but I was shocked to learn that this author was born and raised in Texas and is not in fact Russian as I had believed. I also learned this week that Jessa Hastings isn’t British, so I really need to stop making assumptions based on fictional books. Oof.
“Armageddon was a fire in the harbor, a box delivered on a cold day. It wasn't one great tragedy, but ten million tiny ones, and everyone faced theirs alone.”
————————————————————————
My library hold finally became available today and I had to immediately start this to decide if I need the Fairyloot edition on sale tomorrow. 😁
I’m always convinced I will love books in the “magical realism” genre (I rarely do), but “horror” is never for me. Why then, did I truly believe I would love this? I guess I’m just delulu. I’m not going to rate this too harshly because I think it’s kind of on me for reading something I was never going to love, but I will say that I found this to be a strange read.
Overall I think this was well written, and a lot of the WWl scenes were very compelling, but I did feel like the author kind of screwed up the ending. I expected the author to provide a real world explanation for the magical elements and she really didn’t. My main issue was with the way they eventually escaped. The way out absolutely should have been facing and reliving all of those memories. I did not like that the author implied that that was not working. The way they eventually escaped felt overly simplistic. Facing all of his past traumas head on would have been a much more powerful and realistic ending.
I kind of feel like she was trying too hard with this one, but I think a lot of people will still love it.
This isn’t super relevant to this book, but I was shocked to learn that this author was born and raised in Texas and is not in fact Russian as I had believed. I also learned this week that Jessa Hastings isn’t British, so I really need to stop making assumptions based on fictional books. Oof.
“Armageddon was a fire in the harbor, a box delivered on a cold day. It wasn't one great tragedy, but ten million tiny ones, and everyone faced theirs alone.”
————————————————————————
My library hold finally became available today and I had to immediately start this to decide if I need the Fairyloot edition on sale tomorrow. 😁
February 13, 2024
"This is a good place and a good year for monsters."
HAPPY RELEASE DAY! Plenty of thanks to Random House and Del Rey for a copy via Netgalley to review. So grateful I landed one of this book, a story that takes the first world war and emphasizes everything about it - the wounds, the specific horrors of trench warfare, and the defiantly deep emotional bonds that can grow between humans who meet on opposite sides of a battlefield.
As the quote above, delivered gravely by a Belgian brothel Madame to Laura, expresses, the concept of dark things beyond our comprehension taking advantage, influencing, or even causing terrible events in history is easy enough to believe. Tragic events in history were preceded by strange harbingers seen by many, astrology is full of patterns to unfortunate periods in human society, mediums' warnings go unheeded.
Katherine Arden's beautiful writing channels these nebulous concepts, adds a hint of trickster fairytale, and stirs in some analysis of human nature to create a unique piece of historical fiction with paranormal aspects examining the first World War. Even the beginning was singular, the story starting in the aftermath of the tragic Halifax explosion and on the opposite side of the Atlantic from most of the war.
I found this a real gem of a book, the setting well chosen, as the supernatural elements are plausible yet the story is firmly, descriptively grounded in the muddy horrors of trench warfare and profound loss. The ending is bittersweet, with both tender moments and sorrow, just like the conclusions of war. And even side characters, like the brusque, pragmatic American Doctor Jones, were oddly charming and had me invested. The book is closer to three hundred pages than four, but feels like a full-blooded war story.
Finally, Arden's heartfelt, philosophical author note at the end almost had me more choked up than the story. She is such a great writer.
This is my first favorite book of 2024; full five stars.
TWs were what you would expect from this story: battlefield conditions, gore and combat wounds in detail, references to suicide, death of parents, plentiful references to shellshock AKA PTSD.
HAPPY RELEASE DAY! Plenty of thanks to Random House and Del Rey for a copy via Netgalley to review. So grateful I landed one of this book, a story that takes the first world war and emphasizes everything about it - the wounds, the specific horrors of trench warfare, and the defiantly deep emotional bonds that can grow between humans who meet on opposite sides of a battlefield.
As the quote above, delivered gravely by a Belgian brothel Madame to Laura, expresses, the concept of dark things beyond our comprehension taking advantage, influencing, or even causing terrible events in history is easy enough to believe. Tragic events in history were preceded by strange harbingers seen by many, astrology is full of patterns to unfortunate periods in human society, mediums' warnings go unheeded.
Katherine Arden's beautiful writing channels these nebulous concepts, adds a hint of trickster fairytale, and stirs in some analysis of human nature to create a unique piece of historical fiction with paranormal aspects examining the first World War. Even the beginning was singular, the story starting in the aftermath of the tragic Halifax explosion and on the opposite side of the Atlantic from most of the war.
I found this a real gem of a book, the setting well chosen, as the supernatural elements are plausible yet the story is firmly, descriptively grounded in the muddy horrors of trench warfare and profound loss. The ending is bittersweet, with both tender moments and sorrow, just like the conclusions of war. And even side characters, like the brusque, pragmatic American Doctor Jones, were oddly charming and had me invested. The book is closer to three hundred pages than four, but feels like a full-blooded war story.
Finally, Arden's heartfelt, philosophical author note at the end almost had me more choked up than the story. She is such a great writer.
This is my first favorite book of 2024; full five stars.
TWs were what you would expect from this story: battlefield conditions, gore and combat wounds in detail, references to suicide, death of parents, plentiful references to shellshock AKA PTSD.
January 21, 2024
This is a historical fiction story set in Belgium in the dying stages of the First World War. However, it is also a story suffused with magical realism and the supernatural.
1917, Freddie awakens to find that he is entombed in a German pillbox. Buried alive but not alone. Entombed with him is a German soldier. Pointless to fight each other, they work together to try to dig themselves out of their makeshift grave.
1918, Laura, a combat nurse and Freddie’s sister, fears that the crate before her contains her brother’s possessions. The Great War has somehow managed to snatch both her parents away even here in Halifax when the “Mont Blanc” exploded in the harbour. The largest explosion in history before Hiroshima. Now it seems to have taken her brother as well.
Laura’s fears are realised upon opening the crate. However, among the possessions are both of her brother’s dog tags and Laura is certain that her brother is still alive.
The two timelines merge together when Laura decides to travel to Belgium to find her brother.
What made this novel shine for me is the character of “Faland”. Whether he is a ghost, a spirit, or the devil himself, Faland adds so much to this story. He roams around the Forbidden Zone, revealing himself to soldiers offering them a blessed reprieve from their fears. Fears that he feeds on. At times it feels that Faland is an embodiment of the war itself.
This is a novel about the horrors of war. The damage and injury, both physical and mental it takes on all soldiers, but it is also about the unbreakable bond that is formed between soldiers. A bond that is forged when a life is saved. A bond so strong that it grows between men who were once enemies.
1917, Freddie awakens to find that he is entombed in a German pillbox. Buried alive but not alone. Entombed with him is a German soldier. Pointless to fight each other, they work together to try to dig themselves out of their makeshift grave.
1918, Laura, a combat nurse and Freddie’s sister, fears that the crate before her contains her brother’s possessions. The Great War has somehow managed to snatch both her parents away even here in Halifax when the “Mont Blanc” exploded in the harbour. The largest explosion in history before Hiroshima. Now it seems to have taken her brother as well.
Laura’s fears are realised upon opening the crate. However, among the possessions are both of her brother’s dog tags and Laura is certain that her brother is still alive.
The two timelines merge together when Laura decides to travel to Belgium to find her brother.
What made this novel shine for me is the character of “Faland”. Whether he is a ghost, a spirit, or the devil himself, Faland adds so much to this story. He roams around the Forbidden Zone, revealing himself to soldiers offering them a blessed reprieve from their fears. Fears that he feeds on. At times it feels that Faland is an embodiment of the war itself.
This is a novel about the horrors of war. The damage and injury, both physical and mental it takes on all soldiers, but it is also about the unbreakable bond that is formed between soldiers. A bond that is forged when a life is saved. A bond so strong that it grows between men who were once enemies.
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